pedanther's reviews
466 reviews

Spell Bound by Sharon Lee

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The Night Don’t Seem So Lonely by Sharon Lee

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hopeful medium-paced

3.5


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The Gift of Magic by Sharon Lee

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medium-paced

3.5


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Surfside by Sharon Lee

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medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.5


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The Visitors by Clifford D. Simak

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challenging mysterious reflective slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.0

This novel felt underbaked to me. It has some interesting ideas, but none of them are developed to their potential. The alien biology and psychology of the visitors isn't developed enough to be the feature of the novel. There are a lot of scenes where people sit around in conference rooms and talk about the possible consequences of the aliens' arrival, but most of those consequences never eventuate and the ones that do aren't depicted in a way that makes them feel meaningful. The characters, even the ones who exist for more than just to state things for the reader's benefit, never quite come alive, and they all end the novel as the same person they were at the start. There are some gestures toward an analogy between the visitors' behaviour and the behaviour of the Europeans who colonised the new world, but it never comes to anything, and the same with any of the other hints of having something to say about real-world issues.

There's a scene about two thirds of the way through where a character sums up the visitors' behaviour to that point by saying that they've occasionally been a bit of a nuisance but haven't done any real harm, and I found myself thinking that that could serve as the summary of a novel that had been fitfully intriguing but never blossomed into anything really dramatic or involving.

A few chapters after that, something finally happens that promises real drama, but in the end it all fizzles out into more scenes of people sitting around talking about what might happen.

(There's also an ambiguous twist thrown in about thirty pages toward the end that might have passed muster as the sting in the tail of a shorter story but in this case goes nowhere, doesn't fit with the tone of the rest of the last thirty pages, and just makes the ending feel even more like a bundle of loose ends than it already did.)

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Perfume: The Story of a Murderer by Patrick Süskind

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Did not finish book. Stopped at 24%.
DNF. The writing style has a certain élan, and there's some interest in a story that focuses on one of the senses that's usually neglected in literature, but I Do Not Care What Happens To These People.
Devil May Care by Sebastian Faulks

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Did not finish book. Stopped at 18%.
DNF. The author makes an effort to imitate Ian Fleming's style, and manages to highlight a lot of the things that I never liked about Fleming's style in the first place, with a few extra things to dislike as well. (I feel like there are more conspicuous references to the historical context than a genuine Fleming would have, but that might just be me noticing it more because I know the novel was written decades after it's set.) I gave it fifty pages to win me over, and it mostly just succeeded in annoying me. I'm not in the least curious about where the plot is going, and I don't care what happens to any of the characters.

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No Flying in the House by Betty Brock

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hopeful lighthearted mysterious medium-paced
  • Plot- or character-driven? A mix
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

4.0

Salvage and Demolition by Tim Powers

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adventurous emotional mysterious fast-paced
  • Plot- or character-driven? Plot
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.25


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The Bachelors of Broken Hill by Arthur Upfield

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dark mysterious medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

3.25


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