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sarahweyand's reviews
378 reviews
3.25
Graphic: Racism, Sexism, and Mass/school shootings
Moderate: Pandemic/Epidemic
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Stephen Graham Jones is one of, if not my favorite, horror author today. I say this at the start of every review to set expectations because I feel his Goodreads ratings are criminally low. If you like THE ONLY GOOD INDIANS or MY HEART IS A CHAINSAW, this will be right up your alley.
I always appreciate the clear love Jones has for slashers and how he incorporates different elements and references into each of his works; this book is no different and in fact may rely on some of these tropes and devices more than his other titles. It's another slow burn, as are most of his novels, but the twist and climax are heart-pounding in a way I've come to expect from Jones. Another winner to me!
Graphic: Gore, Violence, and Murder
Moderate: Animal death
3.75
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
The character dynamics were interesting but most of them felt pretty two-dimensional. I didn't feel immersed in any scenes or environments, but I did find the toxic friendship/relationship developments to be interesting because I'm nosy.
All in all, it's not that this book was bad, it's just that there are a lot of books that do everything it does better.
Graphic: Violence, Murder, and Toxic friendship
Moderate: Sexual assault
Minor: Pedophilia
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
I really enjoyed Tremblay's THE CABIN AT THE END OF THE WORLD and am happy to report that this book is even better. I read this book as an ARC but think it would absolutely KILL (no pun intended) as an audiobook, especially if they got a full cast for the screenplay parts. I thought the plot here was a slow burn but not slowly paced - the tension and mystery had me so hooked I was excited to keep reading even if it didn't feel like much was happening.
Some parts made me nauseous (the finger!!), some left me a little confused, and others? I'm not entirely sure, but I felt a full range of emotions while reading that made the experience very immersive and entertaining. I wasn't the biggest fan of the ending, but you can't win 'em all.
I think this is a pretty disturbing book that is unique in that I didn't feel gross after reading it like I did some others of this sort of genre (THE DUMB HOUSE, THE WASP FACTORY, THE ROANOKE GIRLS, etc.), which I really found to be refreshing. If you've wanted to step up your game in horror intensity but don't want to feel super yucky about it, this is a good starting place!
Graphic: Suicide, Torture, and Blood
Moderate: Body horror, Cancer, and Cannibalism
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.25
I can understand and appreciate some dark, disturbing literature when done right. I read a lot of horror and I like a lot of horror. But in this context I cannot stand for the girl-on-girl hate and women blaming this book is full of. Every woman is alluded to being or just flat-out described as a slut, a mean girl, trailer trash, or some other nasty moniker that is not equally ascribed to the male characters. And given what this book is about at it's core, that's really fucking disgusting.
Unfortunately, I think this means I'm done with Amy Engel as an author, but maybe that's for the best. Please don't read this book. If you need something dark and depraved, read PRETTY GIRLS or something. And if you're a contrarian and this means you really have to read it now, please read the content warnings so you know what you're getting into. I'm not messing around.
Graphic: Adult/minor relationship, Child abuse, and Incest
Moderate: Miscarriage, Suicide, Death of parent, and Murder
Minor: Child death and Abandonment
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I suppose the problem with writing a book about the minutiae of life is that while it may be beautiful, perhaps it isn't the most memorable topic.
Graphic: Mental illness and Panic attacks/disorders
Moderate: Toxic friendship and Alcohol
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
The positives here are that Hazelwood wrote a very easily digestible novel that was fun to yell and complain about, although that doesn't mean it was good. Also, this book is based off of Reylo fanfiction and I think Adam Driver is hot so that was fine by me.
My biggest issue here is that miscommunication does not constitute a plot, much less the foundation for a cute and healthy relationship. I sort of actively hated Olive for the whole book because I thought she was stupid. If the two love interests communicating in a healthy manner means you wouldn't have a story, I don't want to read what you came up with. Sorry!
While that was my #1 issue, I also didn't enjoy the big big guy/little bitty girl trope being shoved so forcefully down my throat. I'm also not a prude by any means (I mean if this is Adam Driver fanfic I better be rewarded for my suffering), but having one 30 page long sex scene seemed unbalanced compared to the relative chasteness of the rest of the book.
Okay, I'm done now.
Graphic: Sexism, Sexual content, and Sexual harassment
Moderate: Cancer and Death of parent
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
I really enjoyed most of this book. I loved the mix of historical fiction and fantasy alongside the mystery/thriller vibe; it was such a wonderful blend of genres. I enjoyed the senses of adventure and tension and thought Brooks did a great job of weaving elements of the story and foreshadowing throughout the novel.
I think this book struggles a little from some classic problems that are almost bound to arise with certain framing choices. The split perspective chapters were interesting, but I found some to be compelling and others to drag, which unbalanced the pacing of the story for me. I thought the first quarter of the book was very fast-paced and exciting, but that feeling dropped off around the halfway point and became a much slower story, in my eyes. I wish we had gotten more of a chance to connect and grow with some of the more interesting characters like Marya in lieu of Elena, who I didn't care about as much.
At the end of the day, though, I really enjoyed this book and can't wait to see what Brooks comes out with next.
Graphic: Confinement, Death, and Sexism
Moderate: Medical content and Death of parent
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
- A Recording for Carole Before It All Goes
- Sweet Everlasting
- Take It From Me
Some of these stories were provocative and interesting and others felt literal and a tad on the first-draft side. I'm sure there's something for everyone in here, but it didn't come together to hit overall for me.
Graphic: Death of parent and Fire/Fire injury
Moderate: Homophobia, Mental illness, and Dementia