mmccombs's reviews
691 reviews

I absolutely loved this book! I would not say this is really horror, which might be disappointing if you’re expecting that, it is more dark, quiet literary fiction with slightly more blood and freaky little monsters than you’d normally find. This book beautifully layered themes of grief, belonging, and what happens when we force people to be something they are not. I liked that we got multiple different POVs to fully understand how they each dealt with the grief of losing a child (and growing in that child’s shadow),a mix of sorrow and madness and nothing at all. It was a creative spin on a fairly straightforward narrative, I really enjoyed it.

I think it was a mistake to read this via audiobook, these stories were all about subtlety and small twists that I think I missed by listening. I’m a big fan of her writing style and this collection was perfectly atmospheric and dark, but listening did them a disservice. I do think her longer fiction will remain my favorite, allowing that subtlety to stretch and culminate in interesting ways, but these short stories were solid.

That was nuts! Very dark, very gory, very fun to read. I loved that it explored more layered themes of grief for loved ones, your past, and your home, but I also loved that it was just very spooky horror. The setting was perfect, and the audiobook narration definitely helped. I love horror novels (and many other stories) that feature old women as the main character, it made for a real depth in her character which then deepened her relationship with the sea creature. It was like pretty romantic?? Which was unexpected but I loved it. Definitely a solid and quick read perfect for Halloween! Eat the rich (literally and in the most gruesome way possible, please)!

You either like SGJ’s writing style or you hate it, and this book was probably the most aggressively SGJ-style of his books I’ve read. I’d say what I love about SGJ’s books was very evident here: there is a real heart to the characters despite the gruesome story, I loved Tolly and Amber and how this was really just a love story in the end, despite the roles they were pushed into. But this book also had the things that I struggled with in his books, namely the writing style. It was just incredibly casual, meandery, and full of tangents, which definitely filled out Tolly’s character, but also reduced clarity and plot momentum. This felt like work to get through, I had to read it physically and via audio because I was just so bored and had a hard time feeling compelled to get back to it. Other than the very beginning, there is not much action, and I never really bought into the magic slasher rules, though I do like how this flipped slasher tropes in new ways. I do think with some distance I will find more things to love about this story, but my most immediate reaction is that I’m glad it’s over. 

The prologue just immediately felt icky, I don’t imagine the main character will earn my attention.

Immediately a dnf, I just cannot listen to this narration. I get that it’s a kid’s POV, but like… did it have to sound like that?? Grating!

I really loved this! The tone was both goofy and pretty dark at the same time, which can be challenging to balance but was done well in this instance. I listened to this via audio and I think the narrator (at 2.25x speed) perfectly captured Margaret’s voice, like foolishly stubborn, very compassionate, and yearning for a place to call her own. Margaret’s characterization was just very strong, she was so well rounded and made me wish this book kept going to spend more time with her (bleeding walls notwithstanding).

The allegory here for domestic violence and the cycles of abuse that feels impossible to disrupt was perhaps a bit on the nose, but mostly I thought it was wonderfully layered. A haunted house story is never just about the haunted house (at least in a good one) and that shone through here.

I was about to be very upset about the “twist,” I really dislike horror that ends up just being psychosis or a dream, but trusted that Orlando knew what she was doing. The fake-out twist actually makes a lot of sense given the allegory here, like of course she would be gaslit and then we’d get the pleasure of the house murdering a bunch of cops who didn’t believe her. acab

I think this will be my top recommendation for books to read for Halloween (and just generally), it was scary, thematically rich, and just very well crafted. I had such a good time reading this!

Truly so impactful and well written. While I sometimes lost the thread between sections (and honestly feel like his section on Palestine could have been a whole book in its own right), I loved how he brought these seemingly distant places together through a perspective of shared struggle. His prose just strikes through the center of each topic he addresses, there is no dancing around or obscurity, only honest storytelling. I really appreciated where he said he was wrong and where he learned more, and how he learned more, I think this provides a great model for writers, journalists, and the everyday reader. 
My only complaint was the note on the sources section, I feel very apprehensive about putting sources in a separate place, requiring folks to navigate to a website that may eventually cease to exist. In a book that felt so thoroughly researched and that heavily focused on his connection to ancestors and writers who came before him, this choice felt very weird and thoughtless. 
Aside from this random issue, I believe this is a must read for almost anyone, it is accessible, honest, compassionate, and straight to the point, providing a necessary perspective on our collective role to responsibly witness and share each others’ stories.

This was super quick and provided a solid and unsettling snack. I wish this was a bit longer to just develop the creepiness and turn it into legit scares, but for what it was it was fine. I always enjoy a good fictional band documentary book and this one was decently written and a good choice to read for Halloween. I wasn’t wowed and will probably forget I read this immediately, but it was a good “finish in a day” experience.

As always, I don’t know exactly how to review poetry but simply on a gut level this collection was dripping with sorrow and grief and anger and love for the land and people of Palestine. I also enjoyed Things You May Find Hidden in My Ear, many of his poems in that collection felt a bit more technical while this collection felt a lot more brutal and to the point, if that makes any sense. Abu Toha is a must read poet, he has distilled this moment (and year, and 76 years) with such clarity and pain.

“Sir, we are not welcome anywhere. Only cemeteries don’t mind our bodies. 
We no longer look for Palestine.
Our time is spent dying. 
Soon, Palestine will search for us, for our whispers, for our footsteps, our fading pictures fallen off blown-up walls.”