Eh, this wasn't really for me. Maybe I need to stop listening to this series, even though they are included with Audible premium (they're some of the only queer romances on Audible premium and that's 100% why I keep listening to this series). They tend to be more dramatic and contain more sensitive material than I'm ever prepared for. To be fair, I never go out of my way to check content warnings (though I clearly should for these books, because wow), though it would be nice if the audiobooks had them listed at the beginning. Not sure if the physical/ebooks have cw listed inside.
Trauma: Both characters have a lot of trauma, both from near-death experiences that happen off-page before the book begins, but in the case of one character, are discussed pretty heavily on-page (the character's past suicidal behavior was discussed in detail). The other character had a previous abusive (I think? or at the very least, incredibly not positive) relationship
Healing: Both characters have significant healing journeys spurred on and facilitated by their relationship with the other. It gets close to "he cured me" without quite getting all the way there; if this were Icarus, his wax wings would work well enough that he didn't crash, but it'd be a really rocky flight, ya feel?
TW Injury: one of the characters has a significant, on-page, near-fatal accident. Some details are behind the spoiler, if anyone would like to know before reading: Tanner, who has past trauma from working as a wilderness rescuer, goes on a poor-weather hike to look for Jax, who is late coming back from his hike, and is caught in a rock slide. He is crushed by rocks and a branch impales his arm, hitting an artery. He's saved by Jax, who stabilizes the injury long enough for the rescuers to arrive, and then is touch-and-go in the hospital for a while.n
Things I did like: two bi characters who are bi the whole time (no bi awakening, no 'gay for you' trope), strong emphasis on healing/therapy, supportive friends and family to facilitate the healing journey, no third-act breakup. I was pretty sure I knew what the third-act drama would be, but I was pleasantly surprised that, while my guess was in the general ballpark, I didn't completely guess what would happen.
TW: suicidality, suicidal thoughts, discussions of past suicidal behavior, graphic injury with blood
I liked the premise a lot here. Both characters were likable and I was rooting for them and their relationship. I appreciated the emphasis on therapy and healing, and overall the relationship here is pretty healthy (there is one major lack of communication but they handled it well I thought). That said, it's my 5th book by this author, and while some of her other books are among my all-time favorites, I was only so-so about this one.
I found the beginning of their relationship to lack a bit of chemistry, and the middle third to be a bit slow, though the last 25% was much better. In terms of on-page pace, it's not the fastest burn -- however, when you look at in world time, it's an INCREDIBLY fast burn (they get engaged about a month after getting together??). That didn't really bother me until I got to the epilogue, where it was made clear how quickly their relationship moved, and I was kind of shook lol.
themes: healing from divorce, learning to let yourself be loved, mending broken relationships with family
I was so excited about the premise of this book. It's the classic "I think I'm homophobic but I'm actually jealous" reddit post, which is an excellent concept that was poorly executed here. I've read dozens of stories based off this premise and usually they hit, but this one was a flop.
Several things struck me as problematic:
It's very much MM Romance Written by a Woman. I'm a strong believer that anyone can write MM romance without being fetishistic or creating idealized, fake version of gay men, but this very much is, like, the sexualized fantasy of gay men by women. If you've read a lot of MM romance, you can probably feel that distinction better than I can articulate it. When I read the author's "about" section on her website, it included the phrase "spends her nights writing about the men you fantasize about" which gave me the ick and helped solidify my feelings of discomfort about the way gay men were portrayed here.
The author relies heavily on stereotypes, primarily about gay men, but also about women. As if to counterbalance this, the characters go on several rants about hating stereotypes, about being "more" than just stereotypes, etc. But like, you can't just write the most stereotypical characters and then say stereotypes are bad, and pretend you didn't rely on stereotypes, ya know?
For example: Jason’s sister gives as past clues for him not being straight is that he’s incredibly well groomed and keeps his house really cleaned. Jason pushes back that those things don’t make someone gay, then she continues on with more stereotypes, like that he listens to Broadway musicals and knows all the words to Moulin Rouge. They acknowledge these things don’t make him gay, but she points out that maybe these things don’t add up to being straight, so like the author is acknowledging the stereotype and then doubling down on it.
It’s also weirdly misogynistic, like the female characters very blatantly only exist for the purposes of the men. At 55%, they only entered the plot to solve a problem in Jason’s life. Jason's sister handles all the realty stuff with Jason’s landlording, Jason's hookup disappears conveniently and Jason only thinks about her for sex and she only comes up when Jason needs to think about girls. The mom is MIA. Jason has a gross attitude about shopping with his sister, very “women, they take forever amiright?”. Also, I don’t think there are any notable women in Murph's life? Like I get he’s gay but wow maybe hang out with a woman too. I've read plenty of MM books that basically don't include women at all, which is a problematic in a whole different way, but I honestly think I'd prefer that to this flat, one-dimensional version of women who only exist to benefit the men in the plot.
I had already decided to DNF this before the third act breakup but wanted to see them get together. They finally did — and Jason immediately says he’s not ready for more than kissing, which is totally cool. Makes sense. But then in the same scene Murph says he wants to blow Jason, and Jason says he doesn’t know if he wants to keep going, so Murph appropriately says "okay that’s a no then". Good, great reaction. But then??? When Jason says he’s not sure he wants to stop, so Murph goes right back to getting him into bed??? Like what happened to taking it slow??? If the author wanted it to be a smut scene, fine. Just don't have the characters waffle over whether or not they want it like that.
Wild to me to publish a queer book in 2022 and include a Harry Potter reference. Like wow, tell me you don't actually care about queer people while profiting off them without telling me.
On a positive note, the narrators were doing a great job with the audiobook.
This is a fun and silly one. Very bro-y, as one might expect from the title. It’s kind of Frat Wars meets Puckboys which is a fun crossover. I liked their relationship well enough and didn’t have any major problems with either of the MCs. Lots of appearances from other Queer Collective members. Very light on characterization of the side characters on their own team. A ridiculous premise, what it says on the tin. This series is very hit or miss for me, but this is one of the ones I enjoyed more than not.
God this book consumed me, it occupied so much of my thoughts when I wasn’t reading it and I kept wanting to stop all the other things I was doing and keep reading. I felt so seen by Alex’s neurodivergence, his journey towards letting himself be loved and have intimacy with Daniel, as well as Daniel’s… everything. This book will undoubtedly make it into the lists I make of top books I read in 2024.
Didn’t realize how much of this book I’d forgotten lol. I enjoy this one and the audio was good. Overall fairly enjoyable, though I found the emotional drama in the third act to be messy/all over the place.