aksmith92's reviews
162 reviews

The Setup: If We Were Villains by M.L. Rio is a masterful blend of dark academia and psychological thriller that captivates readers with its intricate plot and rich Shakespearean elements. Set in the fictional but elite Dellecher Classical Conservatory, the novel follows a group of seven acting students whose lives start to mirror the tragedies they perform on stage.

The book is organized in Acts, and each prologue, the story is framed by Oliver Marks' release from prison after ten years. On the day of his release, he recounts the events leading up to a classmate's death to Detective Colborne, the retiring investigator who never quite believed the official story. Each proceeding Scene then details the fateful year where the classmates and friends fall apart.  As the students' final year progresses, their tight-knit group fractures under the weight of secrets and the pressures of the roles they play. The death, *cough cough*, murder of their classmate becomes the catalyst for the unraveling of their lives. 

What I Loved: The writing was absolutely beautiful - truly. I was not only immersed but awed. M.L. Rio clearly knew what she was doing. Her portrayal of the Dellecher Conservatory was absorbing, capturing the intensity and passion of young actors devoted to their craft. The characters, each representing a Shakespearean archetype, were vividly drawn and complex. Additionally, the novel's exploration of themes such as ambition, jealousy, loyalty, and artistry's cost was thought-provoking and emotionally resonant. 

I think what I loved most was M.L. Rio's ability to make almost unlikeable characters real. What do I mean? She made unlikeable characters that you didn't necessarily and automatically like by the end, but unlikeable characters that you still want to read about. It was gripping and interesting; you were curious about what came next, what they would do, and how they would break. I was captured! It takes well-done artistry to make me love a book with characters I wasn't fond of. I've heard that some folks find the pacing of this book slow, but I didn't, and I was enamored the whole way, particularly at the end when we learn the entire truth about the events that occurred at Dellecher.

Why Not 5 Stars? For one, I completely guessed the events that occurred to that fateful classmate. I had thought it the moment his classmates and friends found his body. Therefore, it wasn't as mysterious and surprising ("thriller-like") as I had imagined. However, I didn't mind too much because I still enjoyed reading. 

Additionally, Rio's use of Shakespearean dialogue and references no doubt enriched the story - the characters frequently quoted and drew parallels from Shakespeare's plays, adding depth to their interactions and the unfolding drama. It was a precise literary device to enhance the novel, making it atmospheric and underscoring the themes explored's timeless nature. I wholeheartedly understood the point, but here's the thing: I struggle with Shakespeare so much. I knew that going into this book, I didn't like reading Shakespeare, and I didn't like the language and prose. My brain breaks. So, I braced myself. I did a pretty good job for someone who doesn't love Shakespeare, but it still meant I struggled along the way.

With all that said, this novel was clearly compelling and beautifully written, offering a fresh take on the dark academia genre. I know this book will linger in my mind, including that interesting and obscure ending. 

I don’t know if it’s my mood or what but I could NOT get into this. Instead of trying to trek along and ultimately give it a low rating, I decided to stop while I was ahead because I know this series gets so much praise. Just didn’t work for me and I have too many books in the queue!

The Setup: Circe by Madeline Miller is a reimagining of the life of the eponymous figure from Greek mythology. This novel provides a richly detailed and empathetic portrayal of Circe, transforming her from a minor character in The Odyssey into a powerful and complex protagonist in her own right.

The story unfolds across centuries or millennia, mirroring the immortality of Circe and other Greek myths. We are introduced to her early life as the daughter of Helios, the sun god, and Perse, a sea nymph. Her initial sense of isolation and inadequacy among the gods and titans sets the stage for a remarkable journey of self-discovery. We witness Circe's profound transformation, from the awakening of her magical powers to her exile on the island of Aiaia. It is here that Circe truly comes into her own, refining her craft and grappling with her identity and place in the world.

What I Liked: Miller's narrative and prose were both lyrical and accessible, breathing new life into ancient myths. She skillfully weaved in encounters with iconic mythological figures, such as Prometheus, Odysseus, and Madea, adding depth to Circe's character and advancing her growth. What particularly resonated with me was the feminist perspective that Miller brought to Greek mythology, a realm often devoid of such interpretations. Miller portrayed Circe not just as a 'witch', but as a multifaceted woman who experienced love, loss, and profound loneliness. Her journey on Aiaia, especially after she experienced hardship and grief, was particularly engrossing. The novel's exploration of the themes of transformation, power, and the enduring struggle for autonomy and self-realization was also particularly effective.

The most profound aspect of this novel was Miller's imaginative storytelling and humanization of a mythological character often depicted as a villain. Don't get me wrong; Circe was not perfect by any means, but Miller added depth and layers to her life to make her resonate with the readers. I loved that aspect.

What Didn't I Like? I initially gave this 3.5 stars but decided to round it up after thinking about it more. Many readers noted that Miller's prose was beautifully crafted (Miller has a background in classical studies, which is clearly evident here). However, at times, I struggled with the prose and would seem to drift off in my thoughts mid-paragraph. It was almost like Miller was writing to win an award, which I sometimes struggle with. It doesn't mean I don't like it; it just feels like an undertone I can't shake. 

Additionally, I struggle with Greek mythology. I read Song of Achilles by Madeline Miller, and while I loved the love story, I couldn't have cared less about the war or other characters. I felt similarly here in Circe, except there was a bit more depth to Circe this time. Miller's pacing, which honestly was a bit slow, at least allowed for deep immersion into Circe's world and psyche, and readers were given ample time to connect with her as she transformed from a passive bystander to an assertive and independent figure. However, when all was said and done, I struggled to remember Greek characters in the myths and lost interest - maybe it was because I felt like I was in a high school classroom again.

Regardless, this imaginative storytelling was a great read, and I appreciated a strong take on a relatively diminutive figure. Madeline Miller is undoubtedly exceptionally talented, and I'm looking forward to seeing what she comes up with next. 

The Setup: Ruthless Vows by Rebecca Ross is the second and final installment in her Letters of Enchantment duology. It picks up where "Divine Rivals," the first book, leaves us - documenting the tales of Iris Winnow and Roman Kitt, two journalists caught in the throes of a divine war. Please note: the rest of my setup may contain some spoilers simply because it's a second book!

The story opens with Iris back in Oath, reeling from recent battles and trying to save her brother, Forest. Meanwhile, Roman, now under the influence of the god Dacre, has lost his memories and unknowingly becomes a pawn in Dacre's plans.

Ross masterfully intertwines Iris's and Roman's journeys with a rich tapestry of dreams, enchanted typewriters, and clandestine letters, creating the same type of atmospheric novel as Divine Rivals. We watch as the divine war continues and how Roman and Iris's love evolves in unique and profound ways.

What I Liked: You are a lovely writer, Rebecca Ross. Ross's writing was beautifully atmospheric in this novel and made for such a pleasant experience. The poetic prose brought an added layer of beauty to the narrative. Additionally, my character development itch was scratched in this novel. I loved reading about Iris and Roman and plenty of the other characters, too. Their stories were beautiful, and I loved getting to know them even more. Lastly, love, memory, and resistance themes were skillfully woven throughout the book. Ross questions the nature of heroism and the cost of war, providing readers with more than just a fantasy adventure but a commentary on the human condition. This novel had a dark undertone but somehow intertwined hope and intimacy, making for a well-rounded emotional experience.

I also simply loved when Iris and Roman were intimate - Ross had a very subtle way of talking about them being together, but it was touching and beautiful nonetheless.

Why Not 5 Stars? This was a long book. While I loved Ross's prose, I must admit that the pacing was occasionally slow. Some parts dragged on a bit too long, and honestly, the typewriter scenes didn't hit as hard as the first book, although I still thoroughly enjoyed them. My biggest reasoning for not giving this five stars, though, was because the fantasy element of this novel - the divine war - just didn't make sense to me. Maybe we're not supposed to understand it, because Ross wanted to talk about the impacts of war, but the divine war truly felt like a throw-in to accompany the magical typewriters more than anything else. 

Lastly, this novel was a bit YA, and the characters were actually very young, which sometimes cheapened the romance. That is more of me thing than anything else, so I didn't let it sway my rating or review too much.

Overall, Ross knows how to write a book!

The Setup: Hench by Natalie Zina Walschots is a thought-provoking twist on the superhero genre, offering a unique perspective from the often overlooked side: those who work for the villains - not "sidekicks" or "partners," but henchpeople. The novel follows Anna Tromedlov, a temp worker who takes on many clerical roles, particularly data-related, for villains. Her life changes drastically after the superhero SuperCollider severely injures her. The injury sets her on her villainous path of discovery and vengeance. During her vengeance, she begins to question the true impact of superheroes on society.

After Anna starts a blog revealing data about how superheroes often cause more harm than good (e.g., blasting into buildings, making them crumble, pummeling cars into people, etc.), she attracts the attention of a villain named Leviathan, who recruits Anna to lead a team using data science to expose and undermine superheroes. We watch Anna's vengeance and desire for revenge lead her down a seemingly ruthless path. Throughout the story, we also see what her villainous world surfaces - loss of friends, lack of a love life, and complicated decisions.

This novel explores themes of morality, power, and the consequences of heroism, offering a refreshing tale in which you cannot help but root for the bad guy.

What I Liked: Listen, Anna was a badass. She was not your typical hero villain - she was complicated, yet somehow incredibly relatable. She was not necessarily physically strong, but her ability to read signs and projected decisions through data was her winning trait. Per usual, I am a sucker for excellent character development and this hit that mark. The other characters in the novel were also pretty fleshed out, and all in all, I think that character piece was incredibly well done. On top of that, I also enjoyed the plot and the apparent theme that there is more than meets the eye in this superhero genre. Walschots successfully challenged the black-and-white perception of good versus evil through this novel. There was also dark humor and wit in this novel that made it readable and engaging.

Finally, I also liked the very light touch of a potential romance. This "romance" was a subplot, almost so obscure it was not even there, but I ate it all up when it had an inkling of it.

Why Not Five Stars? Once again, the four-star rating is the hardest for me to describe. Overall, I loved this book. However, it didn't go above and beyond for me. Why? Ugh, I don't really know. It may have had something to do with the pacing—the beginning was slow. Additionally, at times, when Anna ended up in some battle and somehow persevered through, it was slightly unbelievable. 

Regardless, this was a fantastic read, and I'm looking forward to continuing the series once the next one is released!

The Setup: Banyan Moon is a moving and intricately woven debut novel that delves into the lives of three generations of Vietnamese American women: Minh, her daughter Huong, and her granddaughter Ann. From 1960s Vietnam to present-day Florida, the novel explores legacy, identity, and the fraught yet tender relationships between mothers and daughters.

The narrative unfolds with the passing of Minh, the Tran family's matriarch, which prompts Ann to return to her childhood abode, the enigmatic Banyan House, to reconcile with her estranged mother, Huong. Ann, a successful artist grappling with an unexpected pregnancy and a turbulent relationship, embarks on a journey of self-discovery as she and Huong sift through Minh's belongings, unearthing long-buried family secrets.

Through alternating timelines, Thai reveals the rich backstories of each woman. Minh's narrative takes readers from her youth in Vietnam to her struggles as a single mother in America, and even after her death. Huong's story highlights her escape from an abusive marriage, while Ann's journey focuses on her search for identity and understanding within the context of her family's history.

What I Liked: I adored Thai's writing—it was atmospheric and had such emotional depth. There were so many beautiful analogies, metaphors, and quotes. I felt seeped in this novel, and it was a stunning read. Thai also captured the Tran women's complexities through their relationships and individual struggles. The narrative's dual timelines enhanced the reader's understanding of how past traumas and sacrifices shaped the present, making Banyan Moon resonant and thought-provoking. I thoroughly enjoyed Thai's exploration of cultural heritage and family dynamics - there were incredible details in this novel that made it feel real.

Lastly, the novel was infused with a unique blend of magical realism and Southern Gothic elements. Though not essential to the plot, these elements added an ethereal and original touch to the story. They created a world where the boundaries between reality and the supernatural were blurred, enhancing the reader's experience. The poignant examination of love, grief, and forgiveness, combined with this unique blend of genres, made Banyan Moon a captivating read.

What I Didn't Like: While the writing was terrific and the overall storyline was beautiful, where I think it fell flat was character development and nuance. Minh, Huong, and Ann all seemed similar in their emotional capacity, character development, and overall decision-making. In a way, they all seemed emotionally detached from everyone and everything but each other, and I felt like something was missing. Maybe that was the point: generations of women continued the cycle repeatedly. But it was frustrating and didn't provide a lot of nuance to their own individual characters - they just all seemed the same. Additionally, they were not necessarily likable characters, which I could have gotten on board with if they were exciting and nuanced. I think that was lacking here, and I had trouble rooting for (or against) them - I was simply disinterested in their progression. I was thankful to have the plot with a couple of twists along the way to keep me vested because, without that, this would not have been a good read for me. Take it with a grain of salt, though, because I heavily err on the importance of connecting with the characters, their nuance, and their uniqueness. 

Also, unexpected pregnancies are not my jam (not a spoiler!); however, it had little sway on my rating because it truly was part of the point.

Lastly, all the trauma, frustration, and anger were tied up so neatly at the end. I don't mind this per se, but I think it made the last 10% feel slightly rushed and thrown together.

Overall, though, this was a beautiful read, and I look forward to seeing what Thao Thai produces in the future.

I had an absolute BLAST.

The Setup: Funny Story by Emily Henry is a heartwarming story that resolves around Daphne and Miles, two people whose lives are upended when their respective partners leave them for each other. Stranded in a beautiful town - but not HER town - of Waning Bay, Michigan, Daphne, a passionate children's librarian, finds herself pretty much homeless and completely heartbroken after her fiancé tells her he is in love with his best friend. Miles offers her a place to stay since he is now without the love of his life (the said best friend just mentioned).

Then, after an awkward conversation with her ex, Peter, Daphne lets it slip that she and Miles are "dating," which is a straight-up lie, something that Daphne rarely does but feels is the most straightforward course of action at the moment. Therefore, a fake relationship ensues, partly to make their exes jealous and partly to support each other through grief.

Daphne and Miles bond unexpectedly as they navigate their pain and anger. Daphne, who has always struggled to trust others due to many fleeing her life in the past, learns to prioritize her own needs and desires. Charming yet troubled by a tumultuous childhood, Miles faces issues head-on with Daphne's support. Together, they rediscover their identities and what they truly want in life.

In her signature style, Emily Henry crafts a narrative of healing, self-discovery, and unexpected love. Yet, Funny Story goes beyond the typical romance, delving into themes of family, career, and friendship. It also paints a vivid picture of a small-town setting, with its charming lake vibes and picturesque descriptions of Waning Bay.

What I loved: I loved this book. Many people I talk to share that they have a favorite Emily Henry book because they related to it, or it was just a great book that made them feel lovely in a moment of their life. My favorite was Beach Read, which may be outside the majority for most folks. However, Funny Story came in with a close second or even a tie. This novel met me in my moment. This book's main character, Daphne, felt real to me - the first female character in an Emily Henry novel where I didn't cringe at moments or become frustrated at her internal monologue. (I love most of Emily Henry's stories and have rated them mostly in 4s, so that statement may seem bad, but I still love her books, so don't fret.) I understood Daphne. Additionally, I loved the romance - Henry built it nicely and made it seem semi-relatable (if I'm being honest, this whole situation is a little extreme - living with your ex's new girlfriend's ex lol). But it worked. I also absolutely adored Henry integrating many aspects of life - Daphne dealing with a lack of friendships, having a passion for her career as a librarian, and navigating the relationship with her family, and Miles working in more of a gig economy, emphasizing his cheery personality that may not be as cheery as we think, and building his beautiful relationship with the town of Waning Bay. Lastly, some other characters were well fleshed out, especially Julia, Miles's sister, and Ashleigh, Daphne's fellow coworker at the library and a new friend.

Oh, and this novel was plain funny to me at times—I laughed out loud in parts. So, not only was it amusing, but it was also heartwarming, beautiful, and poignant. All-in-all, this worked for me, and I am oh-so-happy about it.

It's pretty spicy and steamy, by the way, definitely more so than some of her other ones. Still, I think it worked!

Anything That Could Be Improved? Listen, an Emily Henry novel may or may not work for you. I did think the whole situation was a little unbelievable. In addition, the main characters were supposed to be in their mid-thirties, which I believe was mostly on point but possibly still felt a little young. And yes, in typical Emily Henry fashion, there was SO much info dumping about Miles and his woodstove smell. Were the main characters still ding dongs at times? Yes. Did I think in typical rom-com book fashion these two characters relied on each other a little bit too much for growth? Again, yes. But, I loved this book so much and can think critically about it while still absolutely adoring it.

I have zero complaints, and like Beach Read, I can't wait to re-read it eventually. Thank you, Emily Henry, for always drawing me back into the contemporary romance genre.

The Setup: 'Kaikeyi' is a unique and captivating reimagining of a character from the Indian epic, the Ramayana. In her debut novel, Vaishnavi Patel defies convention by transforming the traditionally vilified queen Kaikeyi into a multidimensional protagonist. The novel delves into her life and motivations with a depth and nuance that is both refreshing and thought-provoking. We witness Kaikeyi's journey from a young girl, grappling with the challenges of a patriarchal society, to a married woman with children, navigating the complexities of her role.

Kaikeyi is an ambitious and intelligent woman who seeks independence and power in this patriarchal society. Born as the only daughter of the Raja of Kekaya, Kaikeyi is overshadowed by her brothers and is deeply affected by her mother's banishment. As she grapples with this grief and frustration, she learns that she possesses an ancient magic known as the Binding Plane, which allows her to see and influence the bonds between people. This power becomes a tool for navigating the political and social structures around her - but sometimes with a cost.

Not even into adulthood, she marries Raja Dasharath, and she becomes a warrior and diplomat, striving to create a more just world, especially for women. She establishes the Women's Council with Dasharath's other wives to address the concerns of those who are often unheard. Kaikeyi takes on significant roles that defy the traditional expectations of her time. However, her journey is fraught with challenges as she contends with the divine destinies imposed on her and her family, particularly concerning her stepson, Rama.

Patel's portrayal of Kaikeyi is not just richly detailed, but also deeply empathetic, providing a fresh and powerful feminist perspective on an ancient story. The novel explores themes of power, destiny, and resistance, shining a spotlight on Kaikey's unwavering determination to carve out her own legacy despite the cosmic and societal forces that stand in her way.

What I loved: I knew nothing about this retelling, so most of the information was entirely new to me, and I loved it. Kaikeyi was a formidable character in the best way—she was layered, nuanced, and poignant. She was also strong and determined and showcased so much grit. And while she wanted to do what was best for the women in her community, she also cared deeply about her family. I adored her character.

In addition, the plot and the retelling itself were phenomenal. Again, I knew nothing about the Ramayana, so this whole world was new to me. Still, I thought it was brilliant for Patel to tell this story of just Kaikeyi and her upbringing, leaving the Ramayana mostly untouched (when Rama was older and finding his divine purpose). We get to see Kaikeyi's motivations and what happens to her children throughout the years.

The prose was also quite readable and beautiful. I don't know if I would call this atmospheric, but I loved Patel's writing, sentence structure, and storytelling. I was utterly immersed in this novel and couldn't put it down. 

Lastly, I honestly loved the tiny dose of fantasy in this novel—the Binding Plane and the integration of gods/goddesses were important touches. Not only was this needed because it relates to the mythical story of the Ramayana, but it added a layer to Kaikeyi and helped paint her story. With that said, be prepared to understand little about the magical system—it just exists.  

I don't really have anything bad to say about this book—but be prepared to be frustrated, especially if you identify as a woman and understand a teensy bit about a patriarchal society. This book was no doubt embedded with sexism and misogyny. However, that was the point and made the book even more powerful.

I am so thankful to have read this and look forward to seeing what other novels surface from Patel.

I had high hopes, but this did not meet my expectations. It's a beautiful cover, though!

The Setup:  Silhara is a mage swarmed with magic but exiled from Conclave, a group of those who are mages or possess "The Gift." He's known as the Master of Crows, hence this title, yet I'm still quite confused about how crows have to do with anything. Many people fear him; if he goes out and about, someone will inevitably get punched in the face. He's a mean, aloof, MASCULINE man who wants to stay in his home in Neith and grow his dang oranges! However, underneath the hard exterior, Silhara also has a super secret: he's being possessed by the god Corruption, who wants to take over Silhara and make him a living, breathing god.

We also have Martise, a VERY plain and dull woman (I say that because the author says that one million times) who, unfortunately, was sold to slavery at a young age by her mother. She's living in Asher and is enslaved to Cumbria, one of Conclave's officials. Cumbria and the Conclave are counting on her to be a spy and to go to Neith, where Silhara lives, to gather up any information she can on him so that the Conclave can determine if he is a threat to the group. If she succeeds, she will be free from her enslavement. In addition, Silhara wants someone from Conclave there to help him defeat Corruption, even though no one knows he's lingering in Silhara's mind. Martise is the perfect person to do that since she's brilliant and can read many languages.

So, Silhara's and Martise's paths cross in Neith, where Silhara is undoubtedly cruel, and somehow Martise finds it cute— and the two work together on beating Corruption AND harvesting oranges (adorable!). We see a relationship built between the two but have hard choices to make when push comes to shove, and specific actions must be completed to save the world from Corruption.

What I liked: The book's concept and world-building intrigued me, especially considering it was published in 2009. The Conclave and the god Corruption were fascinating elements. However, while the initial plot building was intriguing, the overall delivery fell short, leaving me with more questions than answers.

I enjoyed Gurn, Silhara's non-speaking servant, who obviously cared about the people around him. He was a gem who deserved much more "screen" time.

Lastly, while I note some of my grievances in the section below, overall, the prose was pretty well done. Draven's use of words and sentence structure made sense, but it fell short when it came to world-building and plot development.

What I Didn't Like: Most of this - ugh! As mentioned above, I found the world-building to fall flat. The magical system had minimal depth; terms were thrown out left and right with little explanation. Draven was trying to build as she went along, which can be acceptable in some books, but I don't think it worked here. 

Most of the cast, outside the main characters and Gurn, consisted of caricatures or cartoonish characters with minimal development and layers. Overall, I also didn't enjoy Martise or Silhara at all. Martise seemed a little lost in everything she did, and Silhara was rude. I was utterly uninterested in their relationship and their individual characters. I will give the author some grace (ha!) here and say that this was written in 2009—it's one of the OGs of this dark male character who was a jerk and snippy. However, it didn't work. Martise also had one job there - getting information from Silhara to bring to Conclave so she could be free. The girl doesn't do that; instead, she becomes almost another servant in Silhara's house and sings poorly. Overall, I was simply disappointed.

The sub-plots also did not connect. Initially, there was some information about crows, but they had nothing to do with the plot. Then, there were the oranges that I kept referencing. Silhara's pride and joy was his orange grove - a place he went every day to harvest and care for the oranges. He refused to use magic on the oranges, so everything was done by hand. The oranges were his complete personality. In theory, this was refreshing, but it barely connected with anything in the plot. Draven was trying to use it as a personality trait for Silhara, and while that's fine in theory, it was poorly executed.

Lastly, the pacing was just off. This was a relatively short fantasy book, but it felt long. I'm still determining if it was the will-they-won't-they romance or if I was just lost in the world-building sauce (or lack of it). Overall, it didn't work for me.

Since this is a spoiler, I will put it last and with the spoiler indicator:

I HATE the trope when the female main character loses her power to save the male main character or the world or whatever. It was definitely the time—people ate it up in 2009—but I am over it and hate to see it in my literature. Pass!

A cute little adult fairy tale!

The Setup: Most of the novel follows Tristran Thorn, a mere 16 or 17-year-old boy who inevitably falls in absolute love with some random neighborhood gal. While walking with Victoria Forrester, said random neighborhood gal, he desperately wants to kiss her, or marry her, or something. He'll take anything! She declines any and all of those things, though, of course, because she's a propah lady! However, after they both see a shooting star seemingly fall in the distance, Victoria states if Tristran goes to find the star and brings it back to her, he can have what he wishes. Tristran sets on a quest to find this star to get the gal!

We watch as Tristran ventures beyond the wall of Wall (yes, the literal town he lives!) to fairie land, somewhere with loads of mythical and exciting creatures and beings. He meets a small hairy fellow, a couple of witches, an entertaining captain of the skies, a unicorn, and the lovely witty fallen star Yvaine. Along the way, he learns a lot about himself, meets some interesting (and sometimes deadly) beings, and even learns a little bit about his own past. It's quite an adventure!

What I Liked: Neil Gaiman has a way of writing. It's a little bit like Yoda-speak but more tolerable and enjoyable. I've read some of Gaiman's graphic novel works, and he has a beautiful way with words. I loved the prose and PLOT! The plot was just lovely. Gaiman has a very profound talent for turning myths and legends into complex and intriguing fantasy plotlines, and this was no different. I fell along for the ride with Tristran and Yvaine and thoroughly enjoyed all their obstacles and encounters. Additionally, it was sometimes quite funny, and I laughed out loud in some parts. Overall, this was a fun book. It was reminiscent of a cozy fantasy, except there was some violence and death, and the stake was relatively high. So, in reality, it was not. However, it did have many of those vibes throughout the novel. I found Tristran to be a ding dong, but he was supposed to be, which made the story believable.

What Didn't Work: As much as I enjoyed the premise, even if it was based on a silly little love story, I felt the character development was pretty lacking. I know this book wasn't necessarily about the characters. It was so clear that Gaiman's strength was in his storytelling and retelling of the myth(s). I appreciated that! However, I had a very challenging time connecting with the characters, leading me to not care about their own character stories. The love story (not the one you're probably thinking!) was just alright to me, even if, at times, the banter was semi-funny. Additionally, I felt the 85-90% mark was a little bit rushed, and the characters didn't have time to express feelings, but the end was fitting and pretty interesting. 

Overall, I took this book at face value. Gaiman did an excellent job retelling myths and conjuring up a well-rounded story. I enjoyed myself and plan to read more of his work.