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aemryreads's reviews
29 reviews
Sea Oak by George Saunders
5.0
I don't usually log short stories, but this one was on the longer side of the stories I'd been assigned in class and it is probably my favorite short I've ever read.
This was so engaging from the start. The narration and writing style had me hooked. Everything was laid out perfectly, making it super easy to read. The humor in this piece is amazing. It has some dark turns and extremely relevant themes, but throughout it all, Saunders is able to throw in a joke, which made this story so enjoyable. I was giggling to myself and smiling at my computer. People in the library probably thought I was nuts.
This was so engaging from the start. The narration and writing style had me hooked. Everything was laid out perfectly, making it super easy to read. The humor in this piece is amazing. It has some dark turns and extremely relevant themes, but throughout it all, Saunders is able to throw in a joke, which made this story so enjoyable. I was giggling to myself and smiling at my computer. People in the library probably thought I was nuts.
Blood Over Bright Haven by M.L. Wang
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
This book is my Dune and I don’t mean that in the nice way you think I do.
There are movies that look absolutely stunning, having an amazing score, and A-list actors that, while impressive and objectively great, are just not that entertaining. For me (and many others) this is Dune. Now don’t get me wrong, I think Dune is a really interesting movie. But interesting is not necessarily the same as entertaining.
My favorite movies and books are the ones that can do both, “both” meaning “be both interesting conceptually/thematically and entertaining in its execution”.
Blood Over Bright Haven was so so interesting. By all means, this novel is written spectacularly. I have little to no complaints about anything from a logistical perspective, whether that be writing, grammar-even plot points all made sense. However, I found that I wasn’t necessarily looking forward to reading this as I made my way through it, or rather I didn’t feel it drawing me to open it up.
The main reason I think this is the case is because of the characters. They weren’t entirely relatable for me. This makes for a really interesting read as an outsider, but makes it super hard for me to become emotionally attached to either of our main protagonists.
Speaking of, our main protagonist is kind of a selfish insane bitch! You give me an egotistical recluse who only gives a fuck about her work and her advances AND you make her discriminatory???? How am I supposed to root for someone like that? Regardless of her character development, I didn’t connect with her on any other level to begin with (aside from obviously being on board with the whole female in the male fields part but if you’re not on that train what are you even doing, you’re not on Storygraph be real) so how am I supposed to care for her later when she finally becomes a human?
Again, this makes for a very interesting conversation: are bad people redeemable? This was something I really enjoyed throughout the book; this book asks a lot of intriguing questions through the conversations/disagreements between our leads. These were fun to think about and I do believe the themes in this book are very important and great topics of conversation for book clubs.
Overall, this was a good read, but I never found myself “needing” to get home to read this.
I just deleted this entire review on accident and almost had a mental breakdown. Apparently if you delete what you typed on your iPhone, you can just shake it and it will ask if you want to undo your actions. The more you know.
There are movies that look absolutely stunning, having an amazing score, and A-list actors that, while impressive and objectively great, are just not that entertaining. For me (and many others) this is Dune. Now don’t get me wrong, I think Dune is a really interesting movie. But interesting is not necessarily the same as entertaining.
My favorite movies and books are the ones that can do both, “both” meaning “be both interesting conceptually/thematically and entertaining in its execution”.
Blood Over Bright Haven was so so interesting. By all means, this novel is written spectacularly. I have little to no complaints about anything from a logistical perspective, whether that be writing, grammar-even plot points all made sense. However, I found that I wasn’t necessarily looking forward to reading this as I made my way through it, or rather I didn’t feel it drawing me to open it up.
The main reason I think this is the case is because of the characters. They weren’t entirely relatable for me. This makes for a really interesting read as an outsider, but makes it super hard for me to become emotionally attached to either of our main protagonists.
Again, this makes for a very interesting conversation: are bad people redeemable? This was something I really enjoyed throughout the book; this book asks a lot of intriguing questions through the conversations/disagreements between our leads. These were fun to think about and I do believe the themes in this book are very important and great topics of conversation for book clubs.
Overall, this was a good read, but I never found myself “needing” to get home to read this.
I just deleted this entire review on accident and almost had a mental breakdown. Apparently if you delete what you typed on your iPhone, you can just shake it and it will ask if you want to undo your actions. The more you know.
Mickey 7 by Edward Ashton
funny
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
3.5
Mickey 7 is one of those books that objectively isn’t that great, but the characters are so good that you choose to ignore it. And by characters I mean Mickey.
I’ll start with the positives. First and foremost, Mickey is such a fun character. The main reason I enjoyed this book to any capacity was the narration. It’s witty. It’s engaging. It feels like a friend is telling me a story. It helps that I related to the manner in which Mickey spoke, told stories, and thought. Basically all the witty lines and jokes landed for me.
Mickey is an extremely likable character, which is why it’s a bit upsetting that most of the other characters fell a bit flat. I guess this is one of the cons of writing in first person for an entire book, especially when you write in the first person for such an engaging and entertaining character.
In addition the this, the plot was super fun and interesting in concept. The execution was half there. As I neared the end of the book, I started to realize that barely anything happens plot wise, which is interesting because it feels like a lot more happens that in reality. The entire book takes place over around 3 or 4 days if I’m correct, which is something… I’m not sure if it helped or hurt the story because in the end, it doesn’t really matter how much time passed between the beginning and end of this story so…
The ending was underwhelming overall. When I finished the last page and turned to see the Acknowledgments, I said out loud, “oh that’s it?” Which is probably the one thing you don’t want to say when you finish a book.
One aspect I really enjoyed was the difference six weeks can make in a person.
I read this in anticipation for the movie adaptation and I’m so so curious and excited to see how they adapt this. I’m sure there will be some big changes, especially since half of the novel is Mickey retelling other beachhead expeditions and stories. I genuinely can’t wait.
Overall, this was a fun read even if it wasn’t the best.
I’ll start with the positives. First and foremost, Mickey is such a fun character. The main reason I enjoyed this book to any capacity was the narration. It’s witty. It’s engaging. It feels like a friend is telling me a story. It helps that I related to the manner in which Mickey spoke, told stories, and thought. Basically all the witty lines and jokes landed for me.
Mickey is an extremely likable character, which is why it’s a bit upsetting that most of the other characters fell a bit flat. I guess this is one of the cons of writing in first person for an entire book, especially when you write in the first person for such an engaging and entertaining character.
In addition the this, the plot was super fun and interesting in concept. The execution was half there. As I neared the end of the book, I started to realize that barely anything happens plot wise, which is interesting because it feels like a lot more happens that in reality. The entire book takes place over around 3 or 4 days if I’m correct, which is something… I’m not sure if it helped or hurt the story because in the end, it doesn’t really matter how much time passed between the beginning and end of this story so…
The ending was underwhelming overall. When I finished the last page and turned to see the Acknowledgments, I said out loud, “oh that’s it?” Which is probably the one thing you don’t want to say when you finish a book.
One aspect I really enjoyed was the difference six weeks can make in a person.
I read this in anticipation for the movie adaptation and I’m so so curious and excited to see how they adapt this. I’m sure there will be some big changes, especially since half of the novel is Mickey retelling other beachhead expeditions and stories. I genuinely can’t wait.
Overall, this was a fun read even if it wasn’t the best.
Crooked Kingdom by Leigh Bardugo
- the Wraith vs assassin girl: who was she? And before you say, “okay, somebody didn’t read” Yes, I did. How dare you assume such things of me. I mean that the assassin girl just came out of nowhere. She really feels like a villain out of convenience. Bardugo needed something/someone to complicate Inej’s jobs. She came up with a random skilled fighter and used her twice. Not super satisfying at all. - Jesper/Wylan’s kiss: The little twist that occurred before Wylan and Jesper’s actual first kiss was a fun little tangent. I love me a messy situation (in fiction). However, when it came to the real deal, I couldn’t help but be a little disappointed. I might be imagining things, but I’m pretty sure Bardugo went into a bit more physical detail when describing Jesper’s kiss with Kuwei. That’s what I wanted for Wylan’s kiss description. Bardugo does use some emotional metaphors to capture what Jesper feels when he kisses Wylan for real, but after the physical nature that we saw from the other kiss, I was hoping for more. Nothing crazy - I know it’s YA. - The DEATH: Matthias’ death was underwhelming for several reasons. I do wonder how other people reacted to his death because I felt nothing at all. Don’t get me wrong, I like Matthias. He had some great character development and was likeable in his ways. But for him to get shot by some random ass kid… don’t piss me off. Now don’t get me wrong, for a character to go through so much and have a bright future in front of them just for it to be taken away by a small loose thread that slipped away before… it works. I have seen it work, and I have cried real tears because of this sort of tragic ending. HOWEVER, in that instance, it was earned. I can’t say this one was. The kid who kills Matthias is introduced far too late for me to care at all about what he does. It might be different if this kid was introduced in the first book and sprinkled throughout this book, even in passing, but he wasn’t. So, though tragic, I can’t say his death meant anything to me. - THE DEATH (CONT’D): ALSO, this may be something that only applies to a situation similar to that in the Six of Crows duology—heists or something along the lines of it—but, if you’re going to have a prominent/clear ensemble and you choose to kill one of them off… you better be taking at least one more down with them. And I mean it. To take out only one character is unrealistic if I am going to be frank. If everyone else survives, it really does feel like a disservice. The mission was dangerous on multiple levels, so for only one person to take a bullet feels wrong. Now if another person had dropped, I might buy into it. However, given the way Matthias went out, I don’t think another person dropping would have helped. - Too much waffle talk.
adventurous
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
This review will be a mixed bag of emotions. Spoilers ahead, but not before some overview.
Crooked Kingdom takes place essentially immediately after the events in Six of Crows. We follow the crew we met last time as they attempt to earn back what was rightfully theirs from Van Eck and deal with the inevitable challenges that make it harder for them to do so.
It’s worth the read, but I can’t promise it will be as good as the first. It definitely wasn’t for me.
What makes this book both intriguing and simultaneously infuriating is that there is no clear plan as there was in the last book. Simply put, we have a rather vague end goal—get the thirty million Van Eck owed them—and no plan to get there. On one hand, this makes for a fun read; we never know what to expect from our gang of far too young thieves. It keeps us on our toes and inclined to continue reading because how, oh how, will our beloved criminals make it out of their binds this time? Will they get their money? Will they live? All of these questions are ones that should keep me up at night figuratively. However, I slept like it was my job. Employee of the month.
The trouble with this unset plan (for the entire book) is that there are no longer stakes. Sure we need to rescue Inej. . And yes, we need to find a way out of the city after it has been locked down . But, with our ever-changing plans, it is hard for me to maintain this sense of tension. This is funny because I’m sure the opposite effect was intended.
Allow me to explain how I see it. When one plan goes wrong in Crooked Kingdom, one of two things happens. 1: It ends up working in the crew’s favor. 2: It was the crew’s/Kaz’s plan all along, therefore was intended. It’s not difficult to catch onto this, which in turn, takes the suspense out of reading the events in this book. In Six of Crows, we were in an unfamiliar environment with a crew we couldn’t fully trust, using plans that weren’t guaranteed to work. Makes for an action-packed, tension-filled story. In Crooked Kingdom, we face numerous enemies (all of whom outnumber our crew of six), new advanced Grisha (more on this later), and Pekka Rollins I guess (I was trying to think of a third thing to add to this list, which should say something about the antagonists and how that was all written). In addition to this, the whole city is against our cast. So, why didn’t I feel scared for them at all? Why was I certain that they would get their way at the end of this book? Maybe because they are back on their own turf. Sure, the city is against them, but we know for a fact that they know the city and its inhabitants in and out. They’ll use it to their advantage, surely. On top of this, our silly little crew trusts each other now. There is still tension between characters throughout the book, but the majority of the character relations in this novel revolve around flirting and navigating romantic relationships, which makes for a fun read, yes, but dissolves any sort of tension that made the first book so engaging. Granted, the romantic aspects in this novel create an entirely different tension, which I will discuss later. The point is, despite the seemingly stacked odds against our cast, the tension doesn’t even draw near what it should, which was a bit disappointing.
Now that my biggest gripe is out of the way, let’s clear some things up with a healthy amount of positivity, shall we?
Bardugo manages to write characters in such a dynamic way, I can’t help but enjoy my reading. And what is reading for, if not for enjoyment? Her characters feel alive and I can envision each of them in my head thanks to her talent for writing unique character voices.
Along with this, I am pleased with her writing of relationships, especially between Kaz and Inej. I knew that if their relationship was rushed and ended on a certain note, I would have been extremely annoyed. Thankfully, Bardugo knows her characters and she knows them well. Their relationship progressed at its natural pace, and we ended on a high note, yes, but one that aligned with where her characters were mentally, allowing the tension between them and what’s to come to speak for itself. I commend that.
In general, this was a fun read and, though I do like the first novel better, I will say this is a decent sequel.
Back to my gripes.
The pacing felt a little funny. In this novel, we get loads and loads of backstory. At one point, it felt like every other chapter I was getting pages of backstory from a new character. Though these were intriguing and well-written, I can’t help but feel it slows the pace, which is intriguing given that several plot points in this book rely heavily on a time constraint.
Next: The armed, winged soldiers. She really said, “BEHOLD! LOOK UPON THESE POWERFUL CREATURES OF UNNATURAL CREATION. SEE HOW THEY FIGHT RELENTLESSLY. FEEL AS YOU TAKE YOUR FINAL BREATHS - oh… oh, you fought them off? Oh, umm… okay, I guess I just won’t mention them again.” I exaggerate. Bardugo mentioned them once (maybe twice) hundreds of pages after those soldiers were introduced. They feel unnecessary. And given that they don’t appear again, I think Bardugo felt the same.
Several things felt underwhelming so, I guess I will categorize the next small complaints in a big title that says “underwhelming”.
UNDERWHELMING:
And last but not least, I still think the characters are too young to be planning and executing all this stuff, but there’s no changing that, and I guess I just have to accept that.
It is a very different book from the first one, and to be honest, if not for the lovable characters and the want to see them succeed, I’m not sure I would have enjoyed this book to the point that I did. I feel that my rating reflects those feelings.
In other news, we need to band together and stop whoever is putting those irremovable “stickers” on the covers of books. Throws off the whole cover.
Six of Crows by Leigh Bardugo
adventurous
funny
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Hello storygraph users. it is time for my first review on this app since switching from goodreads. Get excited.
Six of Crows was the first book I've read in a while that had me actively longing to read throughout the day. It's like the opposite of a reading slump. This book was addicting.
I read a fantasy heist book last year and was pretty neutral about it. Definitely had my complaints. I'm happy to say that Six of Crows is levels above that book.
Six of Crows follows a young ass gang leader (basically) who is offered some big bucks in exchange for him pulling off an impossible heist. Boy forms crew. Crew forms plans. Crew attempts to pull off plan. There is action. There is banter. There is yearning (oh yuppp). There's character development (OH YUPP).
It's really difficult to make a heist not engaging in my opinion. The hard part is writing a heist in a smart, and simultaneously, unpredictable way. And I do bleieve Six of Crows accomplished this. While I wasn't completely flabbergasted at certain reveals along the way, I still enjoyed myself.
The characters in a heist story always make or break it. This ensemble of minots (more on this later) is fun to read, each member with a distinct personality and voice. They were likable, funny, smart, etc. This was a book where I throroughly enjoyed each perspective I read, which can be hard to come by sometimes.
In terms of plot, I was very pleased with how Bardugo balanced out main heist with the character relationship subplots. I never felt the subplots were pushing the main plot out of the way or moving too fast. I am so so happy about the way Kaz's subplot ended. No further words your honor.
I will be starting Crooked Kingdom tomorrow probably. I can't get enough of this. And I need to know what happens next.
Big recommendation for fans of heists and fantasy and also crwos. There's six crows in this book if you didn't realize. Apologies for this dumbass joke. It's past my bedtime :)
Oh omg I almost forgot. I know this is YA and the more YA fantasy books I read, the more often I come to this complaint: if your characters are going to act older than they are, just make them older. TWENTY IS STILL YOUNG, PEOPLE. DO WE NOT THINK TWENTY IS YOUNG? It's quite annoying from a logistics standpoint when I'm reading about a seventeen year old plan and create weapons and outsmart adults and even talk a certain way. I understand due to an environment, people can grow up quick. But it still is a bit unrealistic to me. If it walks like an older person and talks like an older person, it's probably not a seventeen year old. I'm just saying. Anyway, it doesn't make the book less enjoyable, but I will complain about this (when warranted) until the day I stop reading YA books forever.
This is why I need to get into high fantasy.
Six of Crows was the first book I've read in a while that had me actively longing to read throughout the day. It's like the opposite of a reading slump. This book was addicting.
I read a fantasy heist book last year and was pretty neutral about it. Definitely had my complaints. I'm happy to say that Six of Crows is levels above that book.
Six of Crows follows a young ass gang leader (basically) who is offered some big bucks in exchange for him pulling off an impossible heist. Boy forms crew. Crew forms plans. Crew attempts to pull off plan. There is action. There is banter. There is yearning (oh yuppp). There's character development (OH YUPP).
It's really difficult to make a heist not engaging in my opinion. The hard part is writing a heist in a smart, and simultaneously, unpredictable way. And I do bleieve Six of Crows accomplished this. While I wasn't completely flabbergasted at certain reveals along the way, I still enjoyed myself.
The characters in a heist story always make or break it. This ensemble of minots (more on this later) is fun to read, each member with a distinct personality and voice. They were likable, funny, smart, etc. This was a book where I throroughly enjoyed each perspective I read, which can be hard to come by sometimes.
In terms of plot, I was very pleased with how Bardugo balanced out main heist with the character relationship subplots. I never felt the subplots were pushing the main plot out of the way or moving too fast. I am so so happy about the way Kaz's subplot ended. No further words your honor.
I will be starting Crooked Kingdom tomorrow probably. I can't get enough of this. And I need to know what happens next.
Big recommendation for fans of heists and fantasy and also crwos. There's six crows in this book if you didn't realize. Apologies for this dumbass joke. It's past my bedtime :)
Oh omg I almost forgot. I know this is YA and the more YA fantasy books I read, the more often I come to this complaint: if your characters are going to act older than they are, just make them older. TWENTY IS STILL YOUNG, PEOPLE. DO WE NOT THINK TWENTY IS YOUNG? It's quite annoying from a logistics standpoint when I'm reading about a seventeen year old plan and create weapons and outsmart adults and even talk a certain way. I understand due to an environment, people can grow up quick. But it still is a bit unrealistic to me. If it walks like an older person and talks like an older person, it's probably not a seventeen year old. I'm just saying. Anyway, it doesn't make the book less enjoyable, but I will complain about this (when warranted) until the day I stop reading YA books forever.
This is why I need to get into high fantasy.
Powerless by Lauren Roberts
4.0
I liked this one a lot. I am so excited to see what happens in the next book, but I hope she takes her time with it. I don't want a sloppy, rushed book just for the people *cough cough* IRON FLAME *cough cough*.
Anyway, I thought this was such a fun twist of fantasy, romance, action, and dystopia. I feel all the elements are very balanced, making it cohesive and enjoyable.
The climax with the main character seemed a bit rushed, but I honestly think that was just me. I would have to reread it to see if it truly was over quick or if I made that up in my head.
Definitely recommended!
Anyway, I thought this was such a fun twist of fantasy, romance, action, and dystopia. I feel all the elements are very balanced, making it cohesive and enjoyable.
The climax with the main character seemed a bit rushed, but I honestly think that was just me. I would have to reread it to see if it truly was over quick or if I made that up in my head.
Definitely recommended!
The Do-Over by Lynn Painter
2.0
Read this after Fourth Wing for a quick palette cleanser by my girl Lynn Painter and was a bit disappointed. This was maybe the most unromantic romance book I've ever read. I wasn't expecting much, but having read Better Than the Movies last year, I thought I might giggle and kick my feet a bit. I didn't. And I didn't really give a fuck about the main character so. Perhaps I was the problem, but my girl Painter can do better. It makes me hesitate to read her new chess one. You better believe I'm waiting for that one to come out in paperback.
Fourth Wing by Rebecca Yarros
3.0
I read this at the beginning of the year and am just now rating/reviewing it, so apologies for my lack of detail.
Overall, this book was enjoyable and I thought it was semi-worth the hype. I feel the idea was great, and the execution was also great... for the first half.
The second half
Because of how the second half went, I didn't feel the urge to read the second book out of fear that the writing/character development would continue to be subpar, which I have heard several times to be true.
Overall, this book was enjoyable and I thought it was semi-worth the hype. I feel the idea was great, and the execution was also great... for the first half.
The second half
Spoiler
just followed Violet as she obsessed over Xaden. It wasn't a gradual attraction, she was invading his mind and doing all these things - again I can't remember the details - but it was just boy crazy and I hated that her character went that routeBecause of how the second half went, I didn't feel the urge to read the second book out of fear that the writing/character development would continue to be subpar, which I have heard several times to be true.
If We Were Villains by M.L. Rio
I started this book off not so strongly, but by the second act (out of five) I was hooked and reading this anytime I had the brain energy.
I loved the formatting of this book with the prologues preceding each Scene 1. I know some people strongly disliked this, but I found it enjoyable. I loved seeing where Oliver's head was at during each part of the story. I don't think it took me out of the story or was distracting or boring, but if you don't like time jumps, though these are very short compared to the rest of the acts, maybe this book isn't for you.
I found the characters to be intriguing, despite their clear tropes that were acknowledged in the first act. That being said, I do think that Wren, Pip, and even Alexander at times seem like characters that are solely there to make the friend group a bit bigger. Oliver, James, Meredith, and of course, Richard stood out immensely compared to the other three.
The twist at the end was not the most shocking to me. I read another review that said it was extremely obvious - maybe it was. I read this more for the drama of it and to see the relationships progress throughout these "events". I didn't expect nor necessarily want a big grand twist that would make me rethink the entire novel, and because of that, I enjoyed that moment. I felt it had a proper build-up and was real in a certain sense. If you want a crazy fucking twist - maybe not this book.
Lastly, I thought the constant Shakespeare would piss me off. It was one of the reasons my start to this book was so slow. However, I feel the use of Shakespeare as another language shows just how pretentious these kids are. It was also a fun way to make those connections between the tragedies of Shakespeare and the tragedies of these theater students. I grew to love it and found myself actually reading through the excerpts rather than skimming through them like a poser hahaha.
Absolutely ate this up. I loved this modern-day tragedy and was happy with this choice to break up my fantasy spiral.
4.0
I started this book off not so strongly, but by the second act (out of five) I was hooked and reading this anytime I had the brain energy.
I loved the formatting of this book with the prologues preceding each Scene 1. I know some people strongly disliked this, but I found it enjoyable. I loved seeing where Oliver's head was at during each part of the story. I don't think it took me out of the story or was distracting or boring, but if you don't like time jumps, though these are very short compared to the rest of the acts, maybe this book isn't for you.
I found the characters to be intriguing, despite their clear tropes that were acknowledged in the first act. That being said, I do think that Wren, Pip, and even Alexander at times seem like characters that are solely there to make the friend group a bit bigger. Oliver, James, Meredith, and of course, Richard stood out immensely compared to the other three.
The twist at the end was not the most shocking to me. I read another review that said it was extremely obvious - maybe it was. I read this more for the drama of it and to see the relationships progress throughout these "events". I didn't expect nor necessarily want a big grand twist that would make me rethink the entire novel, and because of that, I enjoyed that moment. I felt it had a proper build-up and was real in a certain sense. If you want a crazy fucking twist - maybe not this book.
Lastly, I thought the constant Shakespeare would piss me off. It was one of the reasons my start to this book was so slow. However, I feel the use of Shakespeare as another language shows just how pretentious these kids are. It was also a fun way to make those connections between the tragedies of Shakespeare and the tragedies of these theater students. I grew to love it and found myself actually reading through the excerpts rather than skimming through them like a poser hahaha.
Absolutely ate this up. I loved this modern-day tragedy and was happy with this choice to break up my fantasy spiral.
A Court of Thorns and Roses by Sarah J. Maas
3.0
I wanted to rate this book 3.5 stars, but there are no half stars on goodreads and acotar doesn't deserve four stars.
After putting this book off for almost a year and claiming I would never read it, here I am. I finally caved. I put my money and trust into Sarah and I safely say that I only regretted it for the first three-fourths of the book. She's fucking lucky the last hundred pages were so good because otherwise, this book would've been pretty ass.
I think this book proves just how good Sarah is at writing when there are real stakes. When nothing was going on (basically) for the first almost 300 pages, I was barely hanging on. I didn't necessarily want to read, but I kept reading out of the hope that it would get better. And as everyone claimed, it did get better. Stakes were raised and oh my god wouldn't you believe it, it actually got interesting.
I was also surprised to see that this book was published after the first four books in the TOG series were published. The writing in, dare I say, all of those was better than the writing in this book, which is a bit confusing.
Despite the slower majority of the book, I can understand its purpose. There is a lot of info dumping at a certain point, but she covers her ass with a minor detail that was dumb but unfortunately made sense.
There is a fun subplot that will make for a very interesting book 2, so I am excited for that.
All that being said, it is super interesting to read Sarah's series because there are so many parellels that are like "Oh so you just really like this story, huh". I could argue that ACOTAR is just TOG (walmart version, featuring less violence), but, I will wait until I'm done with the entire series to see how the entire story unfolds. It's also not that fair of me to compare series' so, especially when I read TOG first so of course I would like it more. I will try to continue my Acotar journey, thinking of it as a standalone series instead of comparing it to TOG. God, I love TOG.
After putting this book off for almost a year and claiming I would never read it, here I am. I finally caved. I put my money and trust into Sarah and I safely say that I only regretted it for the first three-fourths of the book. She's fucking lucky the last hundred pages were so good because otherwise, this book would've been pretty ass.
I think this book proves just how good Sarah is at writing when there are real stakes. When nothing was going on (basically) for the first almost 300 pages, I was barely hanging on. I didn't necessarily want to read, but I kept reading out of the hope that it would get better. And as everyone claimed, it did get better. Stakes were raised and oh my god wouldn't you believe it, it actually got interesting.
I was also surprised to see that this book was published after the first four books in the TOG series were published. The writing in, dare I say, all of those was better than the writing in this book, which is a bit confusing.
Despite the slower majority of the book, I can understand its purpose. There is a lot of info dumping at a certain point, but she covers her ass with a minor detail that was dumb but unfortunately made sense.
Spoiler
the detail being that the curse didn't allow them to tell her any lore in great detail whatever bullshitThere is a fun subplot that will make for a very interesting book 2, so I am excited for that.
All that being said, it is super interesting to read Sarah's series because there are so many parellels that are like "Oh so you just really like this story, huh". I could argue that ACOTAR is just TOG (walmart version, featuring less violence), but, I will wait until I'm done with the entire series to see how the entire story unfolds. It's also not that fair of me to compare series' so, especially when I read TOG first so of course I would like it more. I will try to continue my Acotar journey, thinking of it as a standalone series instead of comparing it to TOG. God, I love TOG.