Posted to: NetGalley and The StoryGraph 

Posted on: 17 December 2024

I use a grading system to help rate my books and not gonna lie… I thought this read would be rated a bit lower. Maybe I’m being generous because I wanted to love it where I only liked it, but I’m nothing if not honest. My grading scale ended with a number that rounds up, then I shall round up.

I say this because I had a love-hate with the story. This is my first Angela Montoya read and it’s left me wanting. There’s a bunch of little thoughts floating in my brain but I think it can all be summed up with one sentence-

I felt that the story was romance first over story first, and damn that was a good storyline that got overshadowed.

Let’s dive in.

Okay so we have a pretty good cast of characters. I loved Lalo, I loved Carolina, and I loved the secondary characters of Nena and Fernanda. I think sometimes the characters hit too hard into the themes they were made from and it made their delivery fall short. I can’t explain it. It’s like when a book is built on tropes and shoehorns these tropes in to say that they did it, but it’s so in your face that you’re like “oh okay yeah.. I saw it buddy, thanks”

Carolina and Lalo’s romance was sweet, don’t get me wrong. I loved it, I loved them, but sometimes they did things that didn’t make sense. It kind of goes back to their character types and also kind of goes back to my aforementioned statement. A minimally non-spoiling example is when the two are hiding out in Carolina’s abuelo’s room. It’s late and she’s already gotten onto Lalo to keep quiet else somebody hears- and then they start training?? Like, go off I guess, but I don’t think throwing punches is exactly quiet. They also have banter in the most serious moments and it kills the vibes. They find out some information crucial to their search and then Carolina giggles over something Lalo says.

Oh also- they don’t jest…..

Tirade over, I think it’s a good story in that I was hooked on the background plot happening. I kind of really liked Montoya’s take on vampires and how they started, and the whys to their weaknesses. These were pretty well thought out and made sense to the lore she’s built up. In hindsight, perhaps the romance was pretty necessary for the way the story turned to for endings (to avoid saying much more anyways, that’s all I’ll say). Again, the romance itself was sweet. Who doesn’t like the ‘touch her/him and die” (because it went both ways here). It’s an entirely swoon-worthy read for sure.

There’s also some lighter/semi-focused on topics that weren’t exactly the main issue, but they weren’t entirely cast aside either. The whole time, Carolina is fighting to be seen by her father for who she is, as she is. For many Latinas (and many others with father issues too but just to mention specifically a demographic more likely to pick up this read and resonate with the issue), we all know the struggles of machismo and how papás tend to favor their sons over their daughters. I think this was important to see too in that never was there a part where Carolina was extinguished. Montoya gives us a fiery female lead who finds a partner that can handle it without getting burned. I think that was the biggest saving point for me in this book, the fact that I love angry, stubborn, headstrong women, and the lovers that whole heartedly support them in all their sharpness.

This book has its faults. I can see why people can love it and I can see why people found their issues with it. After typing up this review, I can actually see why I personally decided to keep it at 4 stars. I can admit that I’m being a little harsh in my criticism, but it was a pretty good book! It wasn’t my usual read, but it had a lot of little things that shined through enough for me to like it in the end. Would I pick up another Angela Montoya book? Honestly- I think I will! After seeing her style, I can be better prepared for any other works. She sees the desire for angry women and soft love, and she nailed each point right on the head with ‘A Cruel Thirst.’