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A review by thelizabeth
A Summer to Die by Lois Lowry
5.0
A gift from Amy! Thank you Amy! I finished reading this at 2:30am this morning when I couldn't sleep.
I almost didn't want to read this because it is like a little dandelion poof of a book, it is so super small I was like, I'll blink and I'll miss it! What if I hurt it! I'd never read it before because as a kid I was snotty about the kill-me-now melodramas of Lurlene McDaniel and ilk. (Please see Somewhere Between YA Lit and Death.) However, this meant I overlooked a lot.
The handling of these experiences of death is so elegant here. I liked how most of the biggest information is told not through first-person dialogue (declaration, reaction) but by simple narrative statements, sometimes right in the middle of a chapter. The news itself is important and dramatic enough to make impact in a few sentences. And I liked how once it was clear Molly was dying, her disease still wasn't named for a while -- this isn't a book about leukemia, it's a book about Meg and Molly and their family and neighborhood.
The jaw-drop factor came from the birth scene, for which I am giving the book an extra eleventy stars though GoodReads only shows 5. It is just... it is just. The detail is incredible, and everything that is said couldn't be more perfect. The symbolism of this entire subplot is perfect, but this is a 100% perfect chapter of book.
The ending is also perfect: not just leaving us with a meaningful moment in Meg's connection to her sister, but viewing Meg having a personal lesson that is just as important.
I almost didn't want to read this because it is like a little dandelion poof of a book, it is so super small I was like, I'll blink and I'll miss it! What if I hurt it! I'd never read it before because as a kid I was snotty about the kill-me-now melodramas of Lurlene McDaniel and ilk. (Please see Somewhere Between YA Lit and Death.) However, this meant I overlooked a lot.
The handling of these experiences of death is so elegant here. I liked how most of the biggest information is told not through first-person dialogue (declaration, reaction) but by simple narrative statements, sometimes right in the middle of a chapter. The news itself is important and dramatic enough to make impact in a few sentences. And I liked how once it was clear Molly was dying, her disease still wasn't named for a while -- this isn't a book about leukemia, it's a book about Meg and Molly and their family and neighborhood.
The jaw-drop factor came from the birth scene, for which I am giving the book an extra eleventy stars though GoodReads only shows 5. It is just... it is just. The detail is incredible, and everything that is said couldn't be more perfect. The symbolism of this entire subplot is perfect, but this is a 100% perfect chapter of book.
The ending is also perfect: not just leaving us with a meaningful moment in Meg's connection to her sister, but viewing Meg having a personal lesson that is just as important.