Posted to: NetGalley and The StoryGraph 

Posted on: 21 December 2024

This has been one of my lowest rated and earliest dropped books of the year and I’m kind of really disappointed! I came here with a mild understanding of the book, no previous experience with Amalie Howard’s writing via previous books, and no expectations.

Boy, will I learn to do my research better next time…

I’m a hater by nature. I can hash out the meanest review if I wanted to. I won’t though, because I don’t wanna be mean considering I,

1.) didn’t get far into the read at all (10%) to give it a fair and fighting chance at redemption

2.) should have done my research better to see if this was a pick for me or not.

3.) know that I could’ve been way meaner for another read *cough,serpentanddove,cough* and I wasn’t, so I’ll keep that kindness here again too.

So, I’ll start my review with that much. I’m going to be as fair as I can be in my words because I know I didn’t finish, but I have zero desire to continue it.

“Why not?” you may ask if you know me because sometimes I like to spite read books I don’t enjoy or at least push on to the 20% mark before DNF’ing.

“Because,” I say, “there wasn’t enough to keep me hooked.”

Let’s begin.

I am in the lgbt+ community. I myself identify as pansexual/panromantic. I don’t feel like I have the voice to speak out on bisexual struggles against stereotypes that are prominently made in media. I can, however, bring awareness to it and suggest people turn to more vocal pages and people instead (there’s multiple threads on Twitter/X that I used when making my mind up on whether or not I would talk about this in my review or not so that’s a place to start)

We are introduce to Laleh in the first chapter. She is Suraya’s best friend and not explicitly stated as bisexual, but there is a mention of her having previously dated a woman and now she’s lusting over the prince. It can be assumed that she’s bisexual because of this (or I assumed so at least since bisexuality tends to be featured in books more than pansexuality from what I’ve personally seen anyways). “But that’s not too bad!” you might think and yeah, it’s not. It’s good! Love to see the rep! Until that rep is painted to be very sexually minded. Every other sentence, it seems, is some innuendo about sex, or she’s always making sexual hand/mouth motions. She quite literally tells Suraya to ‘clear the cobwebs’ she’s sure to have since she hasn’t had sex in a while. And okay, the argument could be made that Laleh isn’t meant to be seen as more promiscuous than Suraya, but as more sex positive. I personally think that’s a very thin line to toe though, especially considering the romantic inclinations of Laleh. It can be seen either or, and I just personally saw it as fitting too closely into bisexual (or any non-straight for the matter if you wanna get broader) stereotypes that are harmful for the bisexual community.

I encourage open conversations if others think otherwise and totally am open to learn other points of view! This is simply mine and it left a bad taste in my mouth enough to not like the book. There’s even a part in a different chapter where somebody has transitioned somehow, but the person they are speaking to is ‘uncaring about her preferences or appearance’ after the former character has stated they now go by a different name. This moment could also be shrugged off and I might be looking way too deeply into things, but it, again, did not sit well with me.

To shift gears a little, let’s talk about our main character Suraya. She’s pretty much like any romantasy character in that she’s given this opportunity and cannot believe somebody picked her because “well look at me!” (She’s basic, she’s your average looking woman who doesn’t see her beauty compared to others). She’s a pretty interesting enough voice to follow up until (maybe jokingly, maybe not) says that the prince’s type has to be ‘some stunning specimen with melon-sized breasts and a brain the size of a walnut.’

I dunno… didn’t rub me the right way at all.

To not entirely be a hater, I’ll bring up something I did like. The writing style has to be one of my favorites, scene-building wise. The prose was quite nice and enjoyable in style! I could tell that this would have been a lovely world to dive into via the writing alone. There was just a disconnect with the way the characters speak and the setting. That’s totally on me though. When things aren’t set in some modern-day town or city, I automatically assume it’s some historically dated era. You can imagine how jarring it was to go into this book thinking this only to read, “book boyfriends are simply better”, or “thick thighs save lives”. Ya know? Again, that’s totally on me (or that’s on me for always assuming that more dated settings need to use dated language. It’s a fantasy world so change it up however you want babes, just personally it wasn’t the take I was following so I was taken aback at first)

Anyways, all of this to say (my tl;dr summary): the prose was nice. The writing flowed well and I actually liked it for setting bits. The disconnect came from how characters were being portrayed, and assumed things that I made for the book instead of just letting it flow as it is. ‘The Starlight Heir’ isn’t a read for me. It might be for you and kudos for that much, but I have to pass on this one. Thank you to Avon and Harper Voyager for approving me for this ARC. I just hate to say it wasn’t for me at all. I’ll do a better job at researching what I can about books before requesting them, but nonetheless I am grateful for the opportunity no matter how short-lived it was.