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erboe501's review against another edition
challenging
emotional
funny
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Loveable characters? Yes
5.0
I loved this book. I want to describe it as cozy because it's short, funny, and narrowly-focused (largely on a single neighborhood and small cast of characters). But it's also a devastating look at aging and how society handles the elderly. And Taylor's writing is not fluffy; it's to the point, sharp, witty. The dynamic that develops with the elderly residents of the Claremont is heart-warming and hilarious. Then one resident will devastate you with an observation about their obsolescence, their waiting around to die. Taylor manages to make a very sad book very readable and very lovely.
I plan to read the rest of Taylor's oeuvre; she's become a favorite writer.
SPOILER: But how to grapple with the ending? How Mrs. Palfrey dies, the comedy of her rushing away from Mr. Osmond, and then the lack of closure for her friends waiting for her death notice... all make the narrative a little absurd. There is little dignity for Mrs. Palfrey in the end, except granted her by Ludo.
I plan to read the rest of Taylor's oeuvre; she's become a favorite writer.
SPOILER: But how to grapple with the ending? How Mrs. Palfrey dies, the comedy of her rushing away from Mr. Osmond, and then the lack of closure for her friends waiting for her death notice... all make the narrative a little absurd. There is little dignity for Mrs. Palfrey in the end, except granted her by Ludo.
vinpauld's review against another edition
5.0
Though I've read a number of her short stories, "Mrs Palfrey at the Claremont" is the first novel I've read by English author Elizabeth Taylor (not to be confused with the Hollywood actress by the same name), but it won't be my last. From just the few things I've read by her, she's rapidly becoming a favorite of mine. She is such an astute observer of her character's mannerisms, foibles and inner thoughts, that even when there is not much action taking place in a particular scene, you are mesmerized by the access you are given into her characters' lives, which in turn helps you to feel like you personally know her characters.
Her stories are never sentimental. "Mrs. Palfrey at the Claremont," about old people living out their lives in a respectable, but not top-notch hotel, could have easily veered into sentimentality but it never does. There is humor in the book, mostly arising from the vivid characterizations of the various inhabitants of the hotel, but there is also a great deal of bittersweet sadness. This is a brilliant portrait of aging and loneliness and even though I'm probably the same age as some of the characters in this book, I never found it depressing. I will warn you though, I felt rather gut-punched by the ending. I'm really looking forward to reading more of Elizabeth Taylor's novels.
Her stories are never sentimental. "Mrs. Palfrey at the Claremont," about old people living out their lives in a respectable, but not top-notch hotel, could have easily veered into sentimentality but it never does. There is humor in the book, mostly arising from the vivid characterizations of the various inhabitants of the hotel, but there is also a great deal of bittersweet sadness. This is a brilliant portrait of aging and loneliness and even though I'm probably the same age as some of the characters in this book, I never found it depressing. I will warn you though, I felt rather gut-punched by the ending. I'm really looking forward to reading more of Elizabeth Taylor's novels.
timtamslam's review against another edition
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
nancyhashope's review against another edition
dark
emotional
funny
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
brynpemery's review against another edition
emotional
funny
hopeful
lighthearted
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.0
teresatumminello's review against another edition
4.0
Taylor has penned an acerbic end-of-life tale—uncomfortable and real—in which one’s family doesn’t care much what happens once one is parked at a 'last' (maybe) destination. Friends who do care, care mostly for secret or selfish reasons, and include a young man who literally picks up a character off the street. His novel-writing and how he accumulates his source material had me wondering if he was an alter-ego for the author.
No one escapes Taylor’s dark humor, though each character’s humanity is left intact. And what is left to the protagonist near the story’s end clutches at one’s heart.
No one escapes Taylor’s dark humor, though each character’s humanity is left intact. And what is left to the protagonist near the story’s end clutches at one’s heart.
linc8's review against another edition
emotional
funny
lighthearted
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
readingshan's review against another edition
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
ilse's review against another edition
5.0
Keeping up appearances
Brilliant, just brilliant.
My first foray into the work of the other Elizabeth Taylor propelled me up one side and down the other emotionally.
As a tragic-comical tale on aging, loneliness, loss, friendship, isolation and dignity written in a punchy and superb prose, Mrs Palfrey at the Claremont made me simultaneously chuckle because of some of Elizabeth Taylor’s delightfully understated, playful observations and gasp for air because of the bleak, devastating picture it paints of the potentially cumbersome and debilitating journey down to the grave when one has pulled the lucky straw of longevity.
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Having a soft spot for hotel (and boarding house) settings in fiction ([b:In a German Pension: 13 Stories|752805|In a German Pension 13 Stories|Katherine Mansfield|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1328867468l/752805._SY75_.jpg|738933], [b:Villa des Roses|800282|Villa des Roses|Willem Elsschot|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1328701409l/800282._SY75_.jpg|786247], [b:Twenty-Four Hours in the Life of a Woman|182163|Twenty-Four Hours in the Life of a Woman|Stefan Zweig|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1172512419l/182163._SX50_.jpg|1608134], [b:Grand Hotel|733917|Grand Hotel|Vicki Baum|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1367848356l/733917._SY75_.jpg|720103], [b:Hotel du Lac|251665|Hotel du Lac|Anita Brookner|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1346713260l/251665._SY75_.jpg|687946]), the Claremont hotel in London turned out quite an unusual species: for the elderly residents of Hotel Claremont, the hotel is not of the cheerful holiday or escape sort, but serving as the penultimate residence where one is tolerated on earth. The hotel offers its guests cleaning, washing and meals (much like the ‘hotel facilities’ in a nursing home) – and like in such an old people’s home, when every day starts looking the same and one’s life is reigned by loneliness and boredom, mealtimes become inordinately important:
None wished to appear greedy, or obsessed by food; but food made the breaks in the day, and menus offered a little choosing, and satisfactions and disappointments, as once life had.
While the abilities of the residents are deteriorating, they are very well aware the next stage before the final closing chapter will only be worse. Subsequently, the residents of the hotel make a sport of pretending and desperately keep up appearances not to be send off to the waiting room for death where they will be deprived of all privacy and independence. Their microcosmic charade also includes showing their lasting import to their families and relatives to the other residents, which brings Mrs Palfrey to introduce to their circle a perfect stranger as a stand-in grandson– the actual grandson not bothering a moment to pay her a visit, her daughter too busy with her own affairs.
Mrs Palfrey’s accomplice Ludo is also in want for some family relations and even in their ersatz games finds in Mrs Palfrey features of a grandmother offering him more tenderness and affection than he experienced from his own selfish mother, despite the mutual exploitation in their relationship of which only Ludo is conscious (being an aspiring writer, Ludo will use Mrs Palfrey as material, struck by her remark that ‘the residents weren't allowed to die in the hotel’).
People are sorry for brides who lose their husbands early, from some accident, or war. And they should be sorry, Mrs Palfrey thought. But the other thing is worse.

Steeped in stoic melancholy, subtly heart-breaking. sobering and wry, garnished with sharp and witty observations on class, the ignorance and disdain of emotional needs when aging, femininity and widow(er)hood, Mrs Palfrey at the Claremont is a marvellous novel that went straight to my shelf of favourites and to the top five of books I read in 2022. Elizabeth Taylor’s writing resonated with me in a similar vein as what I read so far by Penelope Fitzgerald and Anita Brookner; a very big thank you to my friends for encouraging me to read her.
Brilliant, just brilliant.
My first foray into the work of the other Elizabeth Taylor propelled me up one side and down the other emotionally.
As a tragic-comical tale on aging, loneliness, loss, friendship, isolation and dignity written in a punchy and superb prose, Mrs Palfrey at the Claremont made me simultaneously chuckle because of some of Elizabeth Taylor’s delightfully understated, playful observations and gasp for air because of the bleak, devastating picture it paints of the potentially cumbersome and debilitating journey down to the grave when one has pulled the lucky straw of longevity.

Having a soft spot for hotel (and boarding house) settings in fiction ([b:In a German Pension: 13 Stories|752805|In a German Pension 13 Stories|Katherine Mansfield|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1328867468l/752805._SY75_.jpg|738933], [b:Villa des Roses|800282|Villa des Roses|Willem Elsschot|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1328701409l/800282._SY75_.jpg|786247], [b:Twenty-Four Hours in the Life of a Woman|182163|Twenty-Four Hours in the Life of a Woman|Stefan Zweig|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1172512419l/182163._SX50_.jpg|1608134], [b:Grand Hotel|733917|Grand Hotel|Vicki Baum|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1367848356l/733917._SY75_.jpg|720103], [b:Hotel du Lac|251665|Hotel du Lac|Anita Brookner|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1346713260l/251665._SY75_.jpg|687946]), the Claremont hotel in London turned out quite an unusual species: for the elderly residents of Hotel Claremont, the hotel is not of the cheerful holiday or escape sort, but serving as the penultimate residence where one is tolerated on earth. The hotel offers its guests cleaning, washing and meals (much like the ‘hotel facilities’ in a nursing home) – and like in such an old people’s home, when every day starts looking the same and one’s life is reigned by loneliness and boredom, mealtimes become inordinately important:
None wished to appear greedy, or obsessed by food; but food made the breaks in the day, and menus offered a little choosing, and satisfactions and disappointments, as once life had.
While the abilities of the residents are deteriorating, they are very well aware the next stage before the final closing chapter will only be worse. Subsequently, the residents of the hotel make a sport of pretending and desperately keep up appearances not to be send off to the waiting room for death where they will be deprived of all privacy and independence. Their microcosmic charade also includes showing their lasting import to their families and relatives to the other residents, which brings Mrs Palfrey to introduce to their circle a perfect stranger as a stand-in grandson– the actual grandson not bothering a moment to pay her a visit, her daughter too busy with her own affairs.
Mrs Palfrey’s accomplice Ludo is also in want for some family relations and even in their ersatz games finds in Mrs Palfrey features of a grandmother offering him more tenderness and affection than he experienced from his own selfish mother, despite the mutual exploitation in their relationship of which only Ludo is conscious (being an aspiring writer, Ludo will use Mrs Palfrey as material, struck by her remark that ‘the residents weren't allowed to die in the hotel’).
People are sorry for brides who lose their husbands early, from some accident, or war. And they should be sorry, Mrs Palfrey thought. But the other thing is worse.

Steeped in stoic melancholy, subtly heart-breaking. sobering and wry, garnished with sharp and witty observations on class, the ignorance and disdain of emotional needs when aging, femininity and widow(er)hood, Mrs Palfrey at the Claremont is a marvellous novel that went straight to my shelf of favourites and to the top five of books I read in 2022. Elizabeth Taylor’s writing resonated with me in a similar vein as what I read so far by Penelope Fitzgerald and Anita Brookner; a very big thank you to my friends for encouraging me to read her.
fionnualalirsdottir's review against another edition
Elizabeth Taylor was mentioned several times in [b:A Very Private Eye: The Diaries, Letters And Notebooks Of Barbara Pym|227003|A Very Private Eye The Diaries, Letters And Notebooks Of Barbara Pym|Barbara Pym|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1282285490l/227003._SY75_.jpg|868494], so I thought I should finally read this book. It's a little gem, and to think it had been lying undiscovered on my shelves for years.