informative medium-paced

Often more a discussion of 1970's Hollywood through a precocious cinéaste's eyes, but still has its sweet moments, especially the final chapter and line.
funny informative reflective fast-paced

A prodigiously enjoyable read from a true cinephile. We are all aware of Tarantino's affection for 1970s films, this book takes us through the ones that were the most influential in shaping him as a filmmaker. I consider myself fairly well versed in films from the 70s onward but there were quite a few in his list that I haven't seen or even heard of before such as Paradise Alley and Rolling Thunder. Be prepared to take notes and make a to-watch list while reading! Tarantino knows how the sausage is made, it's interesting reading how he digs into the details on these films. If he had never been a filmmaker he would have certainly been a film critic.

Cinema Speculation was everything I thought it would be. It’s a small collection from Quentin Tarantino’s journey as a kid and a teenager watching a potpourri of movies with his parents and others. Revenge, cop, comedy, exploitation, horror. It truly is only a tiny sampling. I have to be honest, I could have easily listened to 50 hours of this. I just wish he read the entire thing. Not that Edoardo Ballerini is a chump, it’s just you know how passionate Tarantino can get about film.
funny informative medium-paced
funny informative inspiring reflective fast-paced

Very solid film criticism. Especially if you’re interested in New Hollywood. Tarantino is an illustrious yet polarizing figure, eliciting favourable and unfavourable opinions—justifiably, I think; however, he’s fairly un-controversial here. In fact, there’s some surprisingly progressive takes on films like Dirty Harry and Taxi Driver that I never considered. All in all, if it’s true that he’s retiring to write books full time, he’s well suited to it.
informative

I love books. And I love movies. And I really love books about movies. 

Mesmerizing in its imperious knowledge of 70's cinema, more subjective in its rating of movies.