This book is so beautiful, but it must be understood in the context of Latin American history otherwise it might seem really dense beyond its very poetic prose. Which it still can be at times. However, even though he doesn’t necessarily mean to be, García Márquez is often incredibly funny in his writings. He said things like 

and

Let’s take a journey to Macondo, Colombia and visit the Buendía family.

Whew, what a journey. It was my first time reading this classic. I enjoyed most of it and I appreciate its literacy genius although it can be a bit difficult to read due to some of the content (see content warnings below). It can also be challenging to follow at times. 

There are multiple characters with the same name and the story does tend to bounce around so it can be difficult to figure out which of the characters are being referenced until you either keep reading for more context or think back on your own mental/physical notes. This was obviously an intentional choice by the author perfect for literary analysis. It also helps to look up a family tree which I referenced a number of times while reading.

A few literary analyses I read often referred that the cycle of deaths in this family as an allegory for the cycle of violence in Latin American history due to colonialism and desire for power. This is something I can see vividly in Gabriel García Márquez’s depictions, especially with the Banana Massacre in 1928.

Overall it is a heavily character driven story with intriguing depictions and finely walks the line between reality and the supernatural (magical realism at its best). It’s disparaging, depressing, surprising, frustrating, bizarre, hopeful, and at times all of these all at once. I’m definitely not done dissecting all of the underlying messages. 

The cyclical nature of this family is devastating to watch unfold. There are some patterns I did not even realize until after I finished, looking at the family tree. Not a conventional read, and there are many disturbing parts of this book, but it still rates highly in spite of that. Very well written/translated (Gregory Rabassa's translation). 

I finally read Márquez' most recognized novel and now I understand why it is called one of the most influential books of Latin American literature and culture. 

I love multigenerational stories and this one goes through multiple generations of the Buendía family as they live through the establishment of Macondo, war, colonization, technological advances, and more. This book is deeply rooted in Márquez' culture and the history of Colombia, which can also translate to several parts of Latin America. 

The magical realism was incredible, certain sections had the subtlest uses of it while others were impactful and they almost provoked a visceral emotional reaction. My mom's family has a house in Mexico that was filled with people when I was little, but slowly, as my mom and uncles began to live their lives outside of that house and after my grandma passed away, the house started to become empty and less cared for. The Buendía house mirrors the what happens within the family and what's happening in the community, people leaving, marriages, war, etc. The house is either clean and with additions for all the people in the house, or almost empty and deteriorating due to disuse and abuse. 

There are so many things to explore about this book, it's one that I might revisit later in life since I'm sure I'll find more things that will resonate. While I give this book 5 stars, there are plenty of things that were not enjoyable as well and they all would fall into multiple content warnings, among them: sexual violence, war, child neglect and abuse, incest, and more. 

I'd recommend this to anyone who'd like to learn more about classic Latin American literature, magical realism, anyone who loves multigenerational stories with a variety of very interesting characters, and also if you love drama, this one is full of it. 

This book is a wonder; upon finishing, its easy to draw parallels to how it has inspired a plethora of other intergenerational novels, though none quite so vast as this story. The way in which Gabriel García Márquez tackles issues of war, imperialism, and colonialism through the lens of the Buendía family members humanizes their struggle to a individual level, interspersing these serious plot points with shockingly jarring moments ranging from pedophilia to incest and everything in between. 

Though these disturbing scenes feel add purely to shock readers, it was definitely intriguing to see the way Márquez uses these instances purposefully to show the deterioration of memory and the cyclical nature of time in the six generations of the Buendías. Although, as a book originally written in Spanish, its interesting to ponder whether the voice of the translator serves to give a different perspective than that originally intended by the author. 

Either way, this book is by no means perfect, but I enjoyed it very thoroughly, though I would heavily recommend checking the content warnings before reading.