Billie longs to be able to leave her small Alabama town of Anniston and head for a bigger city where things happen. She hopes to be a writer one day too. As the battle for civil rights comes right to Anniston with the Freedom Riders, Billie discovers that there is a lot more racism in her city than she had ever known. She sees it in her own father at home with the way he interacts with their housekeeper, Lavender. She sees it in her school in the way that people react to the news of the Freedom Riders and she sees it in action when the bus the Riders are aboard is attacked. Billie begins to realize that she too has certain points of view that need to change. She wants to be a rider in life, not a watcher. So when she learns that the Freedom Riders are back on the road, she and Lavender’s daughter head to Birmingham aboard the bus together. Along the way, they are faced with overt racism for being together and Billie begins to understand that her actions can have impact to support larger change.

At first I was very disappointed to see a white character as the lead in the book. Then as the book continued, I realized the power of what was being shown on the page. Kidd demonstrates through a very approachable young protagonist that racism is everywhere, even in people who do not seem to be racist at all. Billie is a great example of societal racism and someone who longs for change but can’t see their own role in the process and the subtle ways that race in Alabama during the Civil Rights Movement is so pervasive. In Billie, Kidd manages to show a modern racism that is just as toxic as the more overt kind. It is carefully done, never overplayed, and offers a space for understanding and change to happen.

Kidd brings the Civil Rights Movement to life before the eyes of the reader, placing Billie in the midst of not only the Anniston Freedom Riders riot but also in Birmingham with the Freedom Riders and Martin Luther King, Jr. In both situations, there is real violence happening and real danger of people being murdered. Kidd pays homage to the bravery of the Freedom Riders and to their cause. He shows the price of silence and the challenge to speaking up against your home and community. It is a powerful piece of historical fiction.

Rich and layered, this is not a simple book. It will challenge readers to look at themselves and their biases and prejudice. It is a book that speaks to the modern Black Lives Matter movement and that encourages everyone to become part of the solution and not witness in silence. Appropriate for ages 10-12.

I absolutely loved this book, and will defintely consider using it in school.

I actually initially assumed this was semi-autobiographical, which is testament to Kidd's skill in creating characters and using Billie's narrative voice to bring history alive.

The comparison with To Kill a Mockingbird is perhaps too obvious because of the setting and subject matter, but I felt that Billlie's story, like that of Scout Finch, is powerful because of its perspective. Billie is a kind, curious, precocious, somewhat spoilt child whose generally idyllic childhood is interupted by tumultuous events in her society. Her response is both heroic and believable, and she would be an inspiring heroine for readers of any age.

I received an advance digital copy via Netgalley in exchange for an honest review.

3.5 stars. Review to come!

Holy problematic book! By the time I got to about Chapter 25, I was just reading dialogue and skimming paragraphs because I couldn't get myself to keep pretending to care about the story. *sigh* Alright, lots to talk about and call out here. But first order of business, I am adding a disclaimer here that I'm white, so I can't catch every little thing that's wrong in this story. Honestly, the only reason I'm writing so much because it looks like only a couple other people have called anything out in the other reviews here, so I figured someone who could catch a thing or two should write about it. And why was I able to catch how problematic this book is? Is it because I'm that special white person that magically unlearned racism in a couple weeks, like our lovely protagonist, Billie? No! It's because the problems this book has are things that people of color have been complaining about forever. So why is stuff like this still being published? Why are we not listening?

Alrighty, so the most obvious problem here is Billie Sims, the main character, who is a white 13 year old girl from Alabama living through the US civil rights movement. She begins to notice how prevalent racism and prejudice are in her community when the Freedom Riders come to town and decides she doesn't want to sit back and watch anymore, that she wants to become a rider. In summary, Billie Sims is nothing short of a White Savior. The problem with this is that story becomes just a narrative that tells us white people that if we, too, recognize racism and fight against it like Billie does, we can stop feeling bad about our privilege but still believe that we belong on top because we are doing such good things for people of color. Not to mention, it pushes characters like Jarmaine Jones down to nothing but a sidekick when this is her history. This is her story. But it's not really Jarmaine's story, is it? No, it's Billie's. Because although Jarmaine starts out as a strong character, going up onstage at the county spelling bee to protest the fact that students of color were not allowed to participate, Jarmaine loses that fire rather quickly. It seems that as soon as she and Billie start talking to each other after the spelling bee, Jarmaine becomes nothing but the minority character that's kept around to reassure the privileged character that they're doing good.

To give the book one small praise (not that it really deserves it), if you squint and ignore the fact that this is a book about a white girl during the US civil rights movement of the 1960s, it does give readers some good historical information without making it sound like a textbook. Unfortunately, this information is presented in the form of Billie realizing how different life is between white people and people of color, thus causing her to become the white savior that she is.

Now onto more minor things. And by minor, I mean things that are more likely to go under the radar, not things that are supposedly less harmful. The first thing that rubbed me the wrong way was actually not that the protagonist is from the privileged group instead of the marginalized group (because, as all white allies, I'm still learning and there is a lot to learn). It was in the third chapter when Billie describes Lavender, her family's maid as, "a large woman with coffee-colored skin..." I mean, I thought we established that this isn't how you write about skin color, but I guess not. That also wasn't the only incident. Later on in the book, Billie compares her and Jarmaine to a hot fudge sundae with vanilla ice cream. She says that her mom calls that type of sundae "black and whites", so Billie finds it appropriate to compare herself and her new black friend to this food because of their skin color. *face palm*

Next, there are a few times when Jarmaine tells Billie that she doesn't have to accompany Jarmaine to places or that she doesn't have to sit with Jarmaine on the bus. Based off of the small protest that Jarmaine starts at the county spelling bee, I totally believe that Jarmaine can handle anything. Sure, it's nice to have a friend, but having Billie be that friend just sends the message that people of color are hopeless without white people helping them along, which is not true. And then on the bus ride in Chapter Twenty One, suddenly Jarmaine is so quiet that the security guard can't hear her trying to stand up for herself. Where did that little girl fueled with fire from the spelling bee go? Why does Billie suddenly have to save her? UGH

Something I should've noticed about the cover right away, (but didn't because admittedly, the cover is aesthetically pleasing) is that you can clearly tell that the white girl (Billie) is the one ringing the bell while the girl of color (Jarmaine) just stands there. But how does the bell ringing go down in the book? Well, Jarmaine is the first to ring the bell, but it's only when one of the ladies at the church is simply showing them the bell. Her ringing it is really just for show. When Billie rings the bell it's important, because she's ringing it for the people of color who are victims of violent crimes. She's ringing it for her white friends and family who she believes can learn to be better like she has. She's ringing it for you, Dear Reader, because you, too, can decide to surpass allyship and become a white savior, shouting your voice louder than the people of the marginalized group. I just--Of course, of course! The white character gets the plot altering action in a book about the civil rights movement. It's only 2017, why should we expect different?

tl;dr I think this book could have been great if it were written by an author of color with a protagonist of color. Unfortunately, that's not at all what this book is.

Final thought: *sigh* Okay, I'm done now. Like I said, this is review is nowhere near complete because the lens I see life through is rather limited, but since I saw the problems, I figured I'd point them out. If anyone (particularly those directly affected by this book) has anything to add, please feel free to do so! Now here's my recommendation: pick up a different book, this one is not worth anyone's time.

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