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kirstenf's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Graphic: Animal death, Child death, Chronic illness, Death, Misogyny, Sexism, Violence, Blood, Grief, Death of parent, Murder, Injury/Injury detail, and Classism
Minor: Confinement, Cannibalism, Fire/Fire injury, and Abandonment
tanpopo's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.5
If you came looking for an authentically Asian-inspired fantasy, this is not the book. Was the inspiration there? Yes, of course, it's speculative fiction based off of a real Chinese historical figure. However, few things about this book actually felt Chinese, from the way the characters behaved to the details about the world, and the lack of care with all these inaccuracies really drew me out of the story's time period and culture.
While reading, it felt like this was a story written by an edgy teenaged girl from LA in her secret journal.
Let's start with the inaccuracies that I noticed. I could have written them down as I ran across them, but I wanted to at least try to enjoy the story, so these are the ones that I remember from memory.
Let's start with some small stuff:
- Hanfu, the clothing worn during this time, do not have pockets. People carried their items in purses/pouches, which they then either carried, stored in their sleeves, or inside the front flap of their clothing on the chest.
- Hanfu also do not have buttons. It is closed with ties on the front or side.
- During this time period, people did not wear coats, but rather cloaks. Slight difference.
- Rooms were not heated by fireplaces. They were heated by coal/charcoal burning censers and braziers.
- The concept of boyfriend/girlfriend, let alone the words meaning anything besides "a friend that is a boy/girl", did not exist at this time and wouldn't for a long while.
- The ancients did not have bread. They had buns (steamed buns, usually with fillings) and flatbreads, but not loaves as we imagine bread today. Breads were also not a staple food item like it was in the west.
Regardless, Li Hong might have feed the ducks flatbreads every once in awhile, but more likely than not, a servant would be the one taking care of them and feeding them. The prince feeding them bread would have been more like a treat rather than their actual diet.
- People did not use gold as currency. Ok, sure gold was used, but is was not at all common. Same with silver. Silver and gold were melted down into yuanbao, the gold nuggets you'll commonly see on Chinese New Year decorations as they are a symbol of wealth and prosperity. These weren't minted, but rather commissioned by gold and silversmiths to produce. If/When these are used as currency, an trusted money handler would determine the yuanbao's value.
But Life Gold is such a big deal in this book, so why not use gold as this universe's currency? Well to me it still doesn't make sense. There can not possibly be enough gold in a kingdom the size of Ancient China to make a functional economy. That's why less precious materials are used in a lot of currencies around the world. Rare enough/hard enough to reproduce to give it value, but not so rare as to make it pretty much impossible for regular people to actually obtain said currency.
Which leads to another point of confusion that I didn't understand about this book. It was mentioned multiple times that the value of gold was decreasing in this book, thus causing inflation. If gold is the main component of Life Gold, gold should be highly sought after, not to mention the literal consumption of gold, thus depleting a non-renewable resource. This all should increase its value and worth. So why in this book is its value decreasing? The value of gold should sky rocket because of how important this mineral is.
The Hulingjing and her execution. Fox spirits can be either benevolent or malevolent. During the Tang Dynasty, the period this story is supposed to be taking place, fox spirit worship was very popular, and they were more often than not benevolent. There was even a saying that said "Where there is no fox demon, no village can be established".
It might not be completely odd to see a hulijing killed, since it depends on the spirit itself rather than the species as a whole. Though maybe it would be more unusual to see this during this time period, but the method used to kill the woman was weird to see in this setting.
Death by burning felt very European witch hunt. Executions in Ancient China were often beheadings or strangulation. If the author wanted to keep this woman's death brutal, she could have maybe had the woman tied up while dogs were let going to attack her. Hulijing could be killed by normal methods, and hunting dog parties were not uncommon as dogs were their greatest enemies.
- Unless alchemists are able to feel the energy from stones (which I don't think was ever mentioned), I do not know how Zilan would have been able to tell the stones apart by touch. If they were all cut into different shapes, and had very different textures, then maybe she could tell them apart. But most stones aren't going to be like that. Sight is very important when identifying stones. If there was some kind of explanation for how she was able to do this, then it would make more sense to me.
- Not sure if this was intentional by the author or not, but women and commoners were not able to take the civil exams. It was only after Wu Zetian became emperor that she opened up the tests for everyone, not before. It could be that Empress Wu made the change anyways during these 100 years while the Emperor was ill. But again, I do not know if this was a conscious decision or not. It just had me thinking when I first heard it.
- Just a quick annoyance, but is was briefly mentioned that bloodstone was made up with clay, which is just 100% incorrect. I am not sure where she got this information. The stone is green jasper with red hematite inclusions which create the blood-looking spots.
Some more major points:
- The names of the original characters in this book are just terrible. At least for the ones that we are given the characters (hanzi) for or are hinted at. The author's naming conventions and understanding of how names are given clearly shows that she at most has a year 1 level of Chinese language knowledge. I am not fluent in Chinese, but even I could tell that the names sounded off. I asked my friend, who is a native speaker, what she thought of these names, and she confirmed that they were indeed very weird.
Next is Wenshu 文書. Wen 文 is a character commonly used in names meaning literary/writing/culture/language, so we are fine there. Shu 書(书) on the other hand means book. I can see where the author was coming from, trying to give him a scholar-y name, but Shu 書(书) just isn't used for names and looks weird.
Zilan 紫蘭(兰).... I have a lot to say about this one. Zilan is not actually a bad name. There is a famous Chinese artist, Guan Zilan (關紫蘭), with the name. I didn't know about her until I tried looking up (in both English and Chinese) what a zilan flower looked like, and she was one of the top results when you looked up the name in pinyin.
In the book, zilan is said to be a common flower that you see on the side of the road. This immediately made me pause and question if zilan was the name of an actual flower or not in Chinese. The answer that I found was no. It's quite literally just an orchid that is purple.
I honestly question if the author knows what an orchid is. Orchids are not flowers that you can just spot on the side of the road, growing wherever all willy-nilly. They are found in more isolated places, such as high in the mountains or even in trees. The conditions needed for them to grow are very specific from species to species, so you aren't going to just find one on the side of the road or in a field.
On a more cultural level, orchids have a deep meaning and significance in Chinese culture. They are said to symbolize feminine beauty, modesty, and refinement. Many varieties of the flower are highly prized. Confucius even highly praised the flower. Orchids have been used to compared the careers of scholars under a just emperor.
Lan 蘭 (orchid) is also a very popular character used in the names for girls. For all of this said, I do not understand why Zilan hates her name so much.
Now credit where credit is due, I like that the author used traditional Chinese characters in this book instead of simplified ones. Simplified characters were not in use until only the mid-1950s.
- In a modern context, the use of Xiaojie 小姐 would be correct (except in Northern China, where it is a slang word for prostitute). However, in a historical setting, Xiaojie 小姐 is a term used more for noblewomen and those with high standings. The term for "Miss" would be Guniang 姑娘 in a historical setting.
- People never EVER should be referred to by their first names unless they are close friends or family. It is extremely disrespectful to do so otherwise. So many times in this book Zilan is referred to as "Zilan Xiaojie". So she's being disrespected, yet being evaluated at the same time? Zilan should either be referred to by her full name, Fan Zilan, or as Fan-guniang. After becoming
Li Hong's "concubine", people should have started calling her Concubine Fan or Consort Fan. Probably the latter as the rank is higher and she's Li Hong's only "concubine". - Concubines. Oh my GOD I do not know where the author got her mindset for this one. Literally watch any historical Chinese drama involving the harem and you will get a better idea of what a concubine is, does all day, and is treated way more accurately than this book shows it as. And the dramas are, well, dramatic! compared to what it was like in reality.
A concubine was also given eunuchs (not regular guards) to guard them from other men, since they don't have a certain body part down below, so that nobody but the emperor/lord/etc. can impregnate them. Whenever the man did lie with his wife or concubine, it would have been recorded in a document. This way they can make sure that the child is indeed his. There were also some blood tests if there was any doubt, but modern science can disprove their accuracy.
- The men in this book. Every single one of them, besides the ones we are supposed to like, are absolutely terrible. I will be going more detail about that once I get to the actual plot of the book.
At one point, some rando tried to lean in and kiss Yanfei on the cheek IN BOARD DAYLIGHT. Were there creeps back then? Yeah, of course, there are creeps everywhere during any time, but now you have to take the culture into context. Touching a women, even just on the shoulder, would have gotten you some nasty looks. It would be so flirtatious. Now a kiss? That had me gasping at how utterly bizarre and not ok that was. Bizarre because no one would have actually done that somewhere where everyone could see because it was such a big societal no-no. Keeping face, or your reputation, was very important both back then and now. Yanfei acted like it was an everyday occurrence. I honestly want to know what the author thought every day life was like for a woman and what men were like.
Li Hong offers Zilan a ring. An innocent gesture. Expect for the fact that it was low-key a marriage proposal. As soon as he brought is out, I thought to myself "there is no way that the author would be so careless as to have this be a romantic, marriage-like gesture, right?". Yep, it was. This is such a western/modern practice. It could have been a pure coincidence that she chose to use a ring for this scene, but it definitely stood out to me.
- Not Chinese related, but this one had me doing a double take to make sure that I really did just read what I read.
Excuse me, WHAT???? That makes absolutely no sense whatsoever. Their nearest common ancestor is Proto-Indo-European itself and that's their only relation. There is no way that they would have been able to read Gaelic by knowing, even fluently, any Slavic language. Which also isn't to mention that many Slavic languages use the Cyrillic alphabet, not the Latin one, and even then, Gaelic languages used a variant of Latin. Similar, but not exact to what we use. It would be like saying you could figure out how to read Polish because you know a bit of French. It does not make sense.
I'm going to give Wu Zetian her own section.... I know the historical note at the beginning says that changes have been made, since it is speculative fiction, but there are some decisions that I don't understand, or maybe the author unconsciously made these choices without looking at the actual history for guidance.
- Credit where credit is due though. I liked the mention of
the rumor that she chopped up her rival concubines and placed their bodies into wine jars. That was a rumor that exactly existed. Same with the mention that she killed her own baby and placed the blame on the previous Empress, the Emperor falling ill, killing her sons in order to gain power, and poisoning Li Hong. There were probably some others, but those were the ones that I can remember off of the top of my head at the moment.
Wu Zetian is the name that she gives herself after ascending to the throne. Before that, her name was Wu Zhao. She should have been referred to as Empress Wu in this book.
If the Emperor has been ill for 100 years, and Li Hong has only been eating life gold for about a year, does that mean that Wu Zetian had s*x with the emperor while he was bedridden? And multiple times considering that she gave birth to multiple children, and the children from the other concubines as well?
Li Hong's sisters, the children of Consort Xiao, were much older than Li Hong in history, while in this book they are very young. The two sisters were born before Wu Zhao became empress. So were they being given life gold this entire time so that they could stay young? But why? Why would Wu Zetian keep them alive for that long?
I feel like a lot of these problems would have been fixed if this time skip didn't happen. But without the time skip, other parts of this world, like alchemy being a part of people's lives, wouldn't make sense. I feel like there should have been more care and research put into this point before writing the plot and details of this story. With 100 years of time,
The story might have been more interesting if the ML wasn't Li Hong at all, but rather his younger brother Li Xian, Empress Wu's 3rd son, also known as Emperor Zhongzong. During his first reign, he pretty much had no power at all and Empress Wu made all of the decisions. Making him basically just a puppet. Eventually she just exiled him and named herself Emperor Wu Zetian.
The story could have started with Li Xian being the one to approach Zilan, and eventually over time she helped him gain his confidence and self-esteem, and then they over through Wu Zetian, placing Li Xian back on the throne. That could have been interesting and fixed some of these plotholes.
In terms of actual history, during Wu Zetian's reign, the standards of living were high, economy stable, and people were very content with her rule. She took many suggestions from the public, and offered relief to the lower class in many ways.
You can debate whether or not she was a good person, but it's hard to deny that she was a good ruler. Her name was often tarnished throughout history because of misogyny. Some claims are probably valid, while others maybe aren't. We will never truly know what the real Wu Zetian was like.
The author could have been going for
At the end of the book, she listed a works cited, which honestly shocked me. It almost gives me the feeling of when you're in school and the teacher requires you to have at least X-number of sources, so you just look up stuff up to meet the requirement even if you didn't exactly read or use that source. If she did use all these sources for her research, it clearly either wasn't enough, or she didn't take the information in very well. There was also just a lot of information that she missed because if looked like she didn't even research them in the first place.
So many of these things could have been avoided. If you are writing any historical work, you need to ask yourself a TON of questions throughout the process. No matter how small or stupid you think they are. Like, "Did tomatoes exist in Spain? In not, when were they imported?". Either way, you will learn a lot of new things!!
Ok, let's FINALLY talk about the plot and characters of this book...
Pretty much none of the character in this book are lovable except maybe Li Hong. Li Hong is this cinnamon roll-like character, but maybe one made with too much sugar so you don't really want to eat it.
Zilan is the embodiment of anger and self-hatred. She's pretty much annoyed at someone at any given moment of the story, and wallows in her own self-pity. She is also very violent, instinctively thinking that she needs to harm or kill people when they became an inconvenience.
Yanfei's entire personality is "I hate men", and Wenshu is just kinda there? Is he supposed to be the calm one between these two overly angry girls? Props to him for putting up with it his whole life.
Wu Zetian herself is literally
We don't get to know any of the royal alchemists, besides maybe the Moon Alchemist, but even then we don't get to really know her that much.
There was too much death in this novel. And I don't mean that death is bad, but there was so much of it that when someone died it was like, "Oh, that person died? RIP I guess. Seen it before, let's move on."
Which I also thought that the twist of Zilan being undead this entire time was stupid. Why did she have to die in the first place? Why couldn't she just be a normal human with talent? Her parents die/leave for normal reasons? Like maybe her mom got sick, and her dad went to go look for a cure but never came back. With all this death and resurrection, it really desensitizes the meaning and importance behind death in the first place.
Now the men in this book... I briefly talked about it above, but my GOD it was so bad in this book. Every single man in this book, besides Li Hong and Wenshu, are absolutely terrible people. I seriously got the feeling that the author just hates men and believes that they are all perverts, brutes, and misogynistic. Seriously, pretty much all of them either made a sexual comment, sexual touch, or were straight up violent. A bunch of men literally
And the amount of times men commented on buying Yanfei. Was that seriously necessary? Yeah, arranged marriage was a thing back then, but it wasn't some kind of "Mmm *slurp* yummy woman, come be my wife so I can do delicious things to you kekeke." The parents would have to approve of the pairing, a dowry (which wasn't just money) would have to be paid to prove that the man/man's family was serious about the marraige, and if the family had the money, they would hire a matchmaker to read if the pairing would work or not and to then choose an auspicious date for the wedding. There was a lot more to it then just "*grunt grunt* pretty woman buy." The way it was depicted in this book was just gross.
Also, what the heck was with Zilan and Li Hong's relationship?
The ending of this book was SO stupid.
I don't understand. It just makes me even more confused on what Zilan's feelings towards Li Hong even are.
I'm tired, I'm done writing this rant review. This book was a train wreck. Unfortunately I have the habit of continuing to read these kinds of things instead of DNFing just to see what kind of glorious explosion is going to happen in the end. I will be reading the sequel when it comes out.
Graphic: Animal death, Body horror, Death, Violence, and Blood
Moderate: Child death, Confinement, Misogyny, Racial slurs, Toxic relationship, Death of parent, and Injury/Injury detail
Minor: Incest, Misogyny, Sexism, and Sexual assault
katyakat's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Baker masterfully weaves together themes of identity and self-discovery as Zilan grapples with her aspirations to become a royal alchemist. Her quest for acceptance and recognition mirrors our own search for purpose and meaning in a complex world. Baker's characters are as real as they come, grappling with love, loyalty, and the complexities of human connection.
The dynamics of power and politics play out against the backdrop of a society steeped in tradition and hierarchy. As Zilan navigates these murky waters, she must confront moral dilemmas and ethical choices that challenge her sense of right and wrong. Yet amidst the political machinations and alchemical intrigue, there beats a heart of romance.
"The Scarlet Alchemist" isn't just a fantasy novel – it's a journey of the soul. It challenges us to question our own values and beliefs, urging us to find strength in the bonds we forge and the choices we make.
So if you're in the mood for a tale that will transport you to another world and leave you pondering life's deeper truths, look no further than "The Scarlet Alchemist." It's a literary adventure you won't want to miss. 📖💫
Graphic: Death, Emotional abuse, Gore, Misogyny, Physical abuse, Sexism, Violence, Blood, Death of parent, Gaslighting, and Sexual harassment
snowwhitehatesapples's review against another edition
- Plot- or character-driven? A mix
- Strong character development? N/A
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
A captivating and vivid reimagining of Chinese history during which the only (regarded as) legitimate female Emperor Wu Zetian ruled, The Scarlet Alchemist is a new addition to a growing and much-loved subgenre that needs to be read.
Here, we have Zilan, half-Chinese and half-wailao who’s without a mother and father, but much loved by her aunt, uncle and two cousins — so much so that they’re practically immediate family. Together, they run a mingqi business, which despite death being a daily occurrence, isn’t doing well. The poor are too poor to buy mingqi for their deceased loved ones while the rich are too scared of death to die so they resort to eating life gold which gives them longevity.
Nevertheless, an extended life doesn’t mean that one can’t die so what do the rich do when one of their own dies? When they’re desperate enough to pay any price to bring back the deceased? Why, they go to a backwater village, walk through the part of the neighbourhood even the villagers themselves turn their noses up at, and find Zilan who has that exact ability they’re looking for.
It’s breaking all sorts of laws — in fact, anything related to the necromantic/blood alchemy Zilan does defies the balance and can have severe consequences or less-than-ideal results, But, for Zilan, it’s a means of survival for her family because the gold the rich pays to stay alive can bring rice to their table, can improve the health of her ailing aunt and uncle, can allow Zilan and her cousins to travel to the capital for the imperial exams that can better their lives should they pass both the exams and the political games that are undoubtedly there.
So, Zilan’s willingness to go against everything for her and her loved ones’ sake? That’s admirable. I really like how she braves her fears and how she takes on the challenges that come her way with cleverness and viciousness. Zilan may come off as rude or selfish to some, but I think it makes her complex and more relatable.
Other than that, I like that Prince Li Hong is a more lighthearted character in contrast to Zilan. He isn’t as strong, as smart or as brave, but he’s sweet, loves his ducks dearly and provides the story with seamlessly integrated touches of humour. Though, I must admit the romance between him and Zilan felt unbalanced. It’s clear that Li Hong likes Zilan more than she likes him, so this makes all the romantic parts feel out of the blue. Still, I think that this simply means more opportunity for Zilan’s feelings to develop and strengthen in the next book.
(Also, idk about you but that moment when Zilan had to choose between the two in her life? Amazing. 10/10 the perfect choice. I bawled at that scene.)
Anyway, if a BAMF female lead who can resurrect people and a gentle male lead who loves his pet ducks caught up in the typical political games of the upper class isn’t enough of a win for you, consider the following plusses: undead made of gems, stunning twists and turns, and fast-paced action. (Yes, you need to read The Scarlet Alchemist ASAP!)
Thank you so much Hodder & Stoughton and Netgalley for providing me a copy of this in exchange for an honest review! The Scarlet Alchemist by Kylie Lee Baker is available at all good bookstores.
Graphic: Violence and Blood
Moderate: Bullying, Death, and Gore
Minor: Misogyny, Kidnapping, Murder, and Classism
soryualan's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Not sure how I feel about the ending, not the decisions the lead character makes, but the way in which everything gets resolved, but it's ok and it sets us up perfectly fine for a sequel.
Graphic: Body horror, Misogyny, Racism, and Blood
Minor: Body shaming