Halla has had a rough life and when her father-in-law, whom she was taking care of and living with in his house, passes away things get even worse for the young widow. Because, despite inheriting the estate, she also has to contend with his greedy relatives. Fortunately, she stumbles upon a magical artifact in the house, a sword which has trapped inside a Warrior sworn to protect the wielder. 

This slow- burn romance had all my favorite tropes in it but the plot was too long and really rough in a lot of areas. You can tell the author is world building for a series with the set-up of important side characters and the HFN ending is your other clue there will be more books. 

Do not skip the content and trigger warnings for this book because the author has dark humor regarding a few sensitive topics, like suicide. 

   This is an unusual book. First of all, the back cover doesn't actually tell you much about what actually goes on in the book - which is Sarkis, immortal swordsman in the most literal possible sense, is now bound to Halla, a housekeeper trying her darndest to get her inheritance and evade her aunt's attempts to steal it. Considering the majority of the story takes place while traveling back and forth on one particular stretch of road in an effort to set up what is essentially a court case, it doesn't sound all that appealing. 

There's also the whole romance angle. It's not even hinted at on the back cover, but it's glaringly obvious from the moment Sarkis enters the story that he and Halla are going to be a thing. And for how much of that angle is some variety of mutual pining, I shouldn't have liked that very much, either. 

And yet. And yet I liked this book a lot. Because while boiling this story down to its barest elements does indeed make it sound quite boring, it's the details that get boiled away that make it so much fun. The world itself is, for the most part, a standard rural vaguely-Western-European setting. But with Sarkis being several hundred years old and remembering different things about his homeland and his home time, the world has a sense of having depth and longevity and realness - it may not be teeming with excitement and adventure, but it feels solid, somewhere you could sink your teeth into. (Plus there's that one weird group of hills full of very nasty things that definitely do not stay in one place, which adds some delightfully dangerous whimsy to the whole thing.) And the plot itself, while not on the surface incredibly exciting, is solid. The goals and motivations are clear, the consequences of failure are quite dreadful (though not life-and-death), and the journey, though mostly back and forth on one road, has enough detours and obstacles to never feel truly dull. Besides creepy moving hills, they also encounter bandits, some very unpleasant priests, and a host of other interesting allies, antagonists, and situations that add up to a very entertaining story. 

What really makes this book sing, though, are the characters. Halla and Sarkis, obviously, but also Zale, the nonbinary lawyer-priest who Halla enlists to help legally stake her claim on the inheritance and so ends up spending a lot of the journey with them. All of them are great in their own unique ways, and even the more minor characters are engaging. Even with all of that, though, this book could have easily slipped into "well-written and generally fine but overall lackluster" territory - if it wasn't for the dynamic between Halla and Sarkis, which was the absolute star of the book for me. 

And most of that was Halla. I love her so much. She's smart, practical, no-nonsense, and incredibly quick-witted. She knows her options are limited as a widow in a patriarchal society, but she refuses to let that stop her, and her humility bordering on self-effacement makes her utterly unashamed to let people think less of her if it moves her closer to her goals. She wields ingenuity and fast-talking instead of a sword and shield, but she's just as much of a warrior as Sarkis. And that's what made their dynamic so good - I loved Halla accepting each new development and figuring out how to deal with it, while Sarkis got progressively more amazed at how this random middle-aged housekeeper was dealing with everything so well and kept falling more in love with her. (The romance angle could easily have been annoying, but I liked their dynamic so much I didn't mind.) 

This book is also hilarious. It's peppered with absurd moments and unexpected one-liners that made me laugh. Although I tried reading a few of them to my husband and he didn't find them funny, so I think they're only funny in the context of the book itself. Either way, I thought it was a great touch, and the humor was balanced really well with the darker elements of the book. 

This is exactly the kind of book I'm starting to expect from T. Kingfisher - serious without feeling too dark, an uncomplicated but engaging plot, and characters that leap off the page and elevate the story into something great. I'm a little sad that there isn't a sequel to this book (I really want more Halla), but I have more T. Kingfisher books on my reading list, and I hope they're enjoyable as this one is. 

The main characters are delightful, kind, and a bit snarky. I adore Halla's ability to weaponize questions and the way Sarkis respects her quickly, especially once he gets to know her. (Things do get spicy, though it's not the main focus.) Zale and Brindle are also stars of the book, in spite of their official status as support characters.

These main characters contrast with the various villains, who suffer from a severe inability to take interest in the perspective of others, each in a slightly different way.

The plot is both character- and setting-driven, in the manner of a campaign run by an excellent game master: some things happen not because the characters make them happen, but because things like this just happen here, and they might as well happen now. (To be clear, these events serve the plot or character arcs and I love them.) I'm thinking of the Vagrant Hills, especially, which are

a piece of geography that grabs travelers if they feel like it.

The Motherhood priests probably also qualify. 

As you'd expect in a book starring a magic sword, the setting has plenty of magic, which follows definite rules (though the characters don't know all of the rules and sometimes have to figure things out as they go). There are horrific mechanics to some of the magic and magical creatures, though I would not say this is a horror book. 

This was overall a fun read! I loved Halla, with her curiosity about the world. I appreciated the way she protected herself by confusing and annoying people with her inane ramblings until they left her alone. Sarkis was great too. The real star of this book was Zale, the priest/lawyer. I loved them and the church of the White Rat so much. This book was so funny and the humor at times reminded me of Monty Python.

Sarkis kept alluding to some big secret he needed to tell Halla, and I was really expecting it to be something major and a plot twist. When it was finally revealed, my reaction was "Is that the big secret? That's it?" I thought Halla overreacted to that reveal as the secret had nothing to do with her at all and no effect on her life. It felt very contrived just to add in some conflict between the couple.

I liked how inclusive this world seemed to be of various LGBTQ+ identities, with one very notable exception. Same sex couples appeared to be widely accepted and to have the same rights as straight couples. The nonbinary character was never misgendered or questioned about their gender, even by the villains. This culture of acceptance integrated into the worldbuilding was what made it so shocking to me when towards the end of the book, there were several moments where the characters seemed very unaccepting  of, and even hostile towards, asexual people. Halla had an unsatisfying sex life with her late husband and described him as having been uninterested in sex in general. Sarkis vilified the late husband for this and even said he wished he could hurt him. Eventually, they seemed to settle on seeing the late husband and his asexuality as a burden. There's a lot of language that suggests ace people are broken, like saying he'd have to be "half-dead not to be interested in you" or Sarkis saying his religion has no use for someone who can't please their partner. This all felt really uncalled for. It put a damper on my enjoyment of the book and left a bad taste. It's a shame because this had been such a cozy and fun book for me, but it ended with me feeling attacked.

This book takes place five years after The Clocktaur War series and follows Halla, who can talk her way out of most of the dangerous situations that occurs, Sarkis, the grumpy sword/man, Zale, the non-binary priest/lawyer/clerk, and Brindle, the job-gnole that takes care of the ox.

I had a lot of fun reading this book and I look forward to everything else that occurs in this world.

Repetitions of "decadent south" and "respectable widow" were pervasive enough to essentially reach meme status for me in the it-is-so-bad-and-or-ridiculous-it-is-good-again way.