This book is beautiful. The characters are complex and the story is a surprise. The main character has a wonderful story arch. I highly recommend it.

At first, it took me some time to get into it and I didn’t feel the urge to keep reading, yet it was totally worth it! I love the mystery and not knowing what character had what motives! The author’s note helped understand this masterpiece even more!

Girl, Serpent, Thorn is like a YA, Persian Frozen, but gay. Once this book got rolling, I could not put it down. I was so intrigued to find out what would happen next. Some parts are predictable, but others truly surprised me. I love how the readers really got to feel how conflicted the main character felt about her decisions and the side characters really added to the story. Bashardoust has a romantic style of writing that fits well with the story and definitely gave it fairy tell vibes. If you like morally gray sapphic main characters and stories rich with mythology, then you'll love this.

GIRL, SERPENT, THORN is a queer story about monstrosity and beauty, full of secrets and longing for what's just out of reach.

This book was absorbing, totally compelling. The style is simple and clear like a great fairy tale, but the characters have depth and feel so vibrant within the easy prose. I like the premise (girl has a curse where she can't touch anyone or they'll die), and the way the nuances of that premise are explored throughout the book was great. It could easily have been a series of people and things she can't touch, but it goes somewhere much more interesting and I like it a lot. One of its strengths is the way the antagonists show a lot of nuance and depth while also being believable as friends or potential romantic interests. How the narrative shifts to change who is thought of as a hero and a villain throughout the story was really good.

This first part of the book was a bit frustrating for me because I spent the first half wishing that the characters could just talk to each other instead of not saying things and then having everything go badly because of a lack of communication. The justifications for why certain things were kept secret felt like it boiled down to "if they talk to each other the plot won't happen, shhhhhhhh stop asking". I liked the second half a lot better, partly because the secrets starting coming out and communication got a lot freer. I love the ending, it lands in a place that feels like real growth for the MC and secondary characters. It fits the story without undercutting the earlier struggles. Overall the story arc makes sense and it needed to establish the frustration of living with all these secrets in order for there to be any tension when they slowly get revealed and resolved, but it did make this a book where I wanted to just stick the characters in a room and make them have a conversation, or several. Eventually those conversations do happen, to be clear. I just get stressed out by this kind of tension in general.

This is one of the best fairy-tales I think I've ever read. I might just have to pick up Girls Made of Snow and Glass after this.

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